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The Digital Image and Reality : Affect, Metaphysics and Post-Cinema /

The philosophy of technology suggests that rather than technologies being simply useful tools, they also have an often relatively unnoticed or subconscious impact upon the way we live our lives - our interactions with the world, and the way we think. Seen in this way, all media technologies might af...

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Detalles Bibliográficos
Autor principal: Strutt, Daniel (Autor)
Otros Autores: Strutt, Dan (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2019]
Colección:Film Culture in Transition
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 4 |a The Digital Image and Reality :  |b Affect, Metaphysics and Post-Cinema /  |c Daniel Strutt. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgements --   |t 1. Cinema's Foundational Frissons --   |t 2. The Affective Synthesis of Reality by Digital Images --   |t 3. 'A Digital Frontier to Reshape the Human Condition' : Virtual Border Spaces and Affective Embodiment in Tron and Enter the Void --   |t 4. Dynamic Digital Spaces, Bodies, and Forces --   |t 5. Reality Sutures, Simulation, and Digital Realism --   |t 6. A Digital Nihilism: Ethical Reflections --   |t Bibliography --   |t Index 
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520 |a The philosophy of technology suggests that rather than technologies being simply useful tools, they also have an often relatively unnoticed or subconscious impact upon the way we live our lives - our interactions with the world, and the way we think. Seen in this way, all media technologies might affect our metaphysical sense of time, space and force through their relative ability to represent these concepts. In The Digital Image and Reality, digital visual technologies are examined through their radically different capacities for representation and simulation and the challenges that they pose to our understanding of the world. I analyse how digital images are well suited to graphical imagination and speculation about the nature of material reality. What is suggested throughout the book is that digital visual technologies offer a new sensual image of the world, subtly impacting not simply our subjective perception or consciousness of reality, but perhaps objective actuality itself. 
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650 4 |a Art and Material Culture. 
650 4 |a Film Studies. 
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650 4 |a Media Studies. 
650 4 |a Philosophy. 
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653 |a Digital, affect, metaphysics, post-cinematic, ontology. 
700 1 |a Strutt, Dan,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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