Gender, Space and Experience at the Renaissance Court : Performance and Practice at the Palazzo Te /
Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
[2019]
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Colección: | Visual and Material Culture, 1300 -1700 ;
9 |
Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Maurer, Maria, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Gender, Space and Experience at the Renaissance Court : |b Performance and Practice at the Palazzo Te / |c Maria Maurer. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2019] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (250 p.) : |b 16 color plates, 50 halftones | ||
336 | |a text |b txt |2 rdacontent | ||
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490 | 0 | |a Visual and Material Culture, 1300 -1700 ; |v 9 | |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t The Palace in Cyberspace: A Note on the Virtual Tour -- |t List of Illustrations -- |t Acknowledgements -- |t 1. The Performative Palace -- |t 2. Spaces of Ceremony -- |t 3. The Palace in Time -- |t 4. The Unbounded Palace -- |t 5. The Troubled Palace -- |t Epilogue: Ruin and Rebirth -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time, asserting that the Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
650 | 0 | |a Architecture and society |x History |z Italy |z Mantua. | |
650 | 0 | |a Architecture |x Human factors |x History |z Italy |z Mantua. | |
650 | 0 | |a Architecture |x Psychological aspects. | |
650 | 0 | |a Sex role |x History |z Italy |z Mantua. | |
650 | 4 | |a Art and Material Culture. | |
650 | 4 | |a Early Modern Studies. | |
650 | 4 | |a Gender and Sexuality Studies. | |
650 | 4 | |a History, Art History, and Archaeology. | |
650 | 7 | |a ARCHITECTURE / History / Renaissance. |2 bisacsh | |
653 | |a Giulio Romano, Federico II Gonzaga, Palazzo Te, Gender, Space. | ||
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