Picturing Commerce in and from the East Asian Maritime Circuits, 1550-1800 : Visual and Material Culture, 1300-1700 /

Combining strikingly new scholarship by art historians, historians, and ethnomusicologists, this interdisciplinary volume illuminates trade ties within East Asia, and from East Asia outwards, in the years 1550 to 1800. While not encyclopedic, the selected topics greatly advance our sense of this tra...

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Detalles Bibliográficos
Otros Autores: Bentley, Tamara H. (Contribuidor, Editor ), Chin, James K. (Contribuidor), Levine, Victoria Lindsay (Contribuidor), Nishida, Hiroko (Contribuidor), Pierce, Donna (Contribuidor), Pierson, Stacey (Contribuidor), Sargent, William R. (Contribuidor), Schottenhammer, Angela (Contribuidor), von Glahn, Richard (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2019]
Colección:Visual and Material Culture, 1300 -1700 ; 7
Temas:
Art and Material Culture.
Cultural Studies.
Early Modern Studies.
East Asia and North East Asia.
Economics and Finance.
History, Art History, and Archaeology.
Modern History.
ART / History / General.
Maritime Trade Early Modern Trade Early Modern Art East Asian Trade Networks Asian Export Art.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Table of contents
  • List of plates and figures
  • Acknowledgements
  • 1. People and things in motion: the view from the East
  • Part I. Circuits and exchanges
  • 2. The maritime trading world of East Asia from the thirteenth to the seventeenth centuries
  • 3. The junk trade and Hokkien merchant networks in maritime Asia, 1570-1760
  • 4. The trade activities of sixteenth-century Christian daimyo Ōtomo Sōrin
  • Part II. Commodities
  • 5. From global to local: the diaspora of Asian decorative arts in colonial Latin America
  • 6. Trans-Pacific connections: contraband mercury trade in the sixteenth to early eighteenth centuries
  • 7. "The Features are Esteem'd very just": Chinese unfired clay portrait figures of Westerners
  • Part III. Hybrid aesthetics
  • 8. The global keyboard: music, visual forms, and maritime trade in the early modern era
  • 9. Barbarian tropes framed anew: three Qing dynasty Chinese lacquer screens of Europeans hunting
  • 10. Chinese porcelain, the East India Company, and British cultural identity, 1600-1800
  • Index

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