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We live in an era of screens. No longer just the place where we view movies or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. And this transformation ha...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Avezzù, Giorgio (Contribuidor), Bellour, Raymond (Contribuidor), Beugnet, Martine (Contribuidor), Bégin, Richard (Contribuidor), Carbone, Mauro (Contribuidor), Chateau, Dominique (Contribuidor, Editor ), Christie, Ian (Contribuidor), Crough, Olivia (Contribuidor), Huhtamo, Erkki (Contribuidor), Kessler, Frank (Contribuidor), Lefebvre, Simon (Contribuidor), Marco, Salvador Rubio (Contribuidor), Marks, Laura U. (Contribuidor), Moure, José (Contribuidor, Editor ), Odin, Roger (Contribuidor), Oever, Annie van den (Contribuidor), Rogers, Ariel (Contribuidor), Sobchack, Vivian (Contribuidor), Strauven, Wanda (Contribuidor), Toddi, Emmanuele (Contribuidor), Verhoeff, Nanna (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2016]
Colección:The Key Debates: Mutations and Appropriations in European Film Studies ; 6
Temas:
Cinematography > Philosophy.
Film, Media, and Communication.
Media Studies.
ART / Film & Video.
Screens, surface, depth, seeing, touching.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Editorial
  • Acknowledgments
  • Introduction: Screen, a Concept in Progress
  • PART I: Archeology and History
  • Rectangle-Film [25x19] (1918)
  • Intersections between Showing and Concealment in the History of the Concept of Screen
  • Archaic Paradigms of the Screen and Its Images
  • Thematizing the "Arche-Screen" through Its Variations
  • The Stuff of Screens
  • PART II: Technology and New Practices
  • Scaling Down: Cinerama on Blu-ray
  • The Disappearance of the Surface
  • GoPro: Augmented Bodies, Somatic Images
  • The Four Practices? Challenges for an Archaeology of the Screen
  • Screens in the City
  • PART III: Theory
  • The Screenic Image: Between Verticality and Horizontality, Viewing and Touching, Displaying and Playing
  • From Screen-Scape to Screen-Sphere: A Meditation in Medias Res
  • The Concept of the Mental Screen: The Internalized Screen, the Dream Screen, and the Constructed Screen
  • Between Fascination and Denial: The Power of the Screen
  • PART IV: Intermediality
  • Screens after Dos Passos's U.S.A. Trilogy: Current Answers for the Eyeminded Public
  • El Lissitzky's Screening Rooms
  • But Who Actually Watched Mark Lewis's Films at the Louvre?
  • PART V: Dialogues
  • Gulliver Goes to the Movies: Screen Size, Scale, and Experiential Impact - A Dialogue
  • The Skin and the Screen - A Dialogue
  • The Screen and the Concept of Dispositif - A Dialogue
  • Notes
  • General Bibliography
  • Notes on Contributors
  • Index of Names
  • Index of Film Titles

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