Film Production and Consumption in Contemporary Taiwan : Cinema as a Sensory Circuit /
This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews wi...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
[2016]
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Colección: | Acumen Research Editions ;
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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245 | 1 | 0 | |a Film Production and Consumption in Contemporary Taiwan : |b Cinema as a Sensory Circuit / |c Ya-Feng Mon. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2016] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (216 p.) | ||
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490 | 0 | |a Acumen Research Editions ; |v 1 | |
505 | 0 | 0 | |t Frontmatter -- |t Asian Visual Cultures -- |t Table of Contents -- |t Acknowledgements -- |t 1. Through the Nexus of Bodies and Things. Introduction -- |t 2. Mediated Knowledge. Methodology -- |t 3. Bodily Fantasy. Embodied Spectatorship and Object Intervention -- |t 4. Sensory Linkage. The Politics of Genre Film Making -- |t 5. Intimacy. Internet Marketing as Collaborative Production -- |t 6. Indeterminacy. Control and the (Un)productive Body -- |t 7. Mediation and Connections in a Precarious Age. Conclusion -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in technoscience, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extends so far: volatility remains a key component of the filmgoing experience. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 0 | |a Motion pictures |z Taiwan. | |
650 | 4 | |a Asian Studies. | |
650 | 4 | |a Cultural Studies. | |
650 | 7 | |a ART / Film & Video. |2 bisacsh | |
653 | |a culture industry, prosumption, cinematic communication, embodiment, biopolitical governance. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package 2016-2018 |z 9783110667318 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package Backlist 2015-2017 |z 9783110606447 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Complete eBook-Package 2016 |z 9783110662931 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Asian Studies Contemporary Collection eBook Package |z 9783110649826 |
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