Cargando…
Neorealist Film Culture, 1945-1954 : Rome, Open Cinema /
Unique, truthful, brutal. Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2019]
|
| Colección: | Film Culture in Transition
|
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
| Sumario: | Unique, truthful, brutal. Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. [-][-]The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history. |
|---|---|
| Descripción Física: | 1 online resource (384 p.) : 42 |
| ISBN: | 9789048526253 9783110689556 9783110738230 9783110605785 9783110610017 9783110610765 9783110664232 9783110696301 |
| Acceso: | restricted access |