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Warped Minds : Cinema and Psychopathology /
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2014]
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| Colección: | Film Culture in Transition
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Trifonova, Temenuga, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Warped Minds : |b Cinema and Psychopathology / |c Temenuga Trifonova. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (288 p.) : |b 20 halftones | ||
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| 490 | 0 | |a Film Culture in Transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Warped Minds -- |t Table of Contents -- |t Introduction -- |t 1. The Story of Attention: Toward a Dynamic Model of the Self -- |t 2. Photography and the Construction of Psychopathology at the Fin de Siècle -- |t 3. Cinema and Psychoanalysis -- |t 4. Multiple Personality and the Hollywood 'Multiple' Film -- |t 5. Paranoia and the Geopolitical Conspiracy Thriller -- |t Notes -- |t Bibliography -- |t Filmography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siècle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Mental illness in motion pictures. | |
| 650 | 0 | |a Psychoanalysis and motion pictures. | |
| 650 | 4 | |a Film Studies. | |
| 650 | 4 | |a Film, Media, and Communication. | |
| 650 | 7 | |a ART / Film & Video. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package Backlist 2000-2014 |z 9783110606515 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Backlist eBook-Package 2000-2015 |z 9783110662788 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Complete eBook-Package 2014 |z 9783111023779 |
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