Film Remakes as Ritual and Disguise : From Carmen to Ripley /
The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
[2006]
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Colección: | Film Culture in Transition
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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245 | 1 | 0 | |a Film Remakes as Ritual and Disguise : |b From Carmen to Ripley / |c Anat Zanger. |
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490 | 0 | |a Film Culture in Transition | |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Introduction -- |t Chapter 1. Psycho: Inside and Outside the Frame -- |t Part One. First Variation: Carmen -- |t Chapter 2. The Game Begins -- |t Chapter 3. Muted Voices -- |t Chapter 4. Masks -- |t Part Two. Second Variation: Joan -- |t Chapter 5. The Game Again -- |t Chapter 6. Hearing Voices -- |t Chapter 7. Disguises -- |t Conclusion -- |t Chapter 8. Repetitions as Hidden Streams -- |t References -- |t Filmography -- |t Credits -- |t Index |
506 | 0 | |a Open Access |u https://purl.org/coar/access_right/c_abf2 |f unrestricted online access |2 star | |
520 | |a The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joanof Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
540 | |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: |u https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
650 | 0 | |a Film remakes |x History and criticism. | |
650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package Backfile 2000-2013 |z 9783110700671 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Backlist eBook-Package 2000-2013 |z 9783111023786 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Backlist eBook-Package 2000-2015 |z 9783110662788 |
776 | 0 | |c print |z 9789053567845 | |
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912 | |a 978-3-11-102378-6 Amsterdam University Press Backlist eBook-Package 2000-2013 |c 2000 |d 2013 | ||
912 | |a GBV-deGruyter-alles | ||
912 | |a ZDB-23-GOA |