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Emotions, Ethics, and Cinematic Experience : New Phenomenological and Cognitivist Perspectives /
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how...
| Otros Autores: | , , , , , , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York; Oxford :
Berghahn Books,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 072 | 7 | |a ART057000 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.430 9 |2 23 |
| 245 | 0 | 0 | |a Emotions, Ethics, and Cinematic Experience : |b New Phenomenological and Cognitivist Perspectives / |c ed. by Robert Sinnerbrink. |
| 264 | 1 | |a New York; |a Oxford : |b Berghahn Books, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (144 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Illustrations -- |t Preface -- |t Introduction: Phenomenology Encounters Cognitivism -- |t Chapter 1 Fascist Affect in 300 -- |t Chapter 2 Other Sides Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth -- |t Chapter 3 Elemental Imagination and Film Experience: Climate Change and the Cinematic Ethics of Immersive Filmworlds -- |t Chapter 4 Toward a Model of Distributed Affectivity for Cinematic Ethics Ethical Experience, Trauma, and History -- |t Chapter 5 Grey Gardens and the Problem of Objectivity: Notes on the Ethics of Observational Documentary -- |t Chapter 6 Synthetic Beings and Synthespian Ethics: Embodiment Technologies in Science/Fiction -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 7 | |a ART / Film & Video. |2 bisacsh | |
| 653 | |a Film and Television Studies, Media Studies, Sociology. | ||
| 700 | 1 | |a Abbott, Mathew, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Martin, Brigid, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Plantinga, Carl, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Roo, Ludo de, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Sinnerbrink, Robert, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Sinnerbrink, Robert, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Stadler, Jane, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Walton, Saige, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Berghahn Books Complete eBook-Package 2021 |z 9783110997675 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9781800731462?locatt=mode:legacy |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781800731462 |z Texto completo |
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