Bodies in Pain : Emotion and the Cinema of Darren Aronofsky /
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because t...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
New York; Oxford :
Berghahn Books,
[2015]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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245 | 1 | 0 | |a Bodies in Pain : |b Emotion and the Cinema of Darren Aronofsky / |c Tarja Laine. |
264 | 1 | |a New York; |a Oxford : |b Berghahn Books, |c [2015] | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (194 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures -- |t Acknowledgements -- |t INTRODUCTION Aronofsky, Auteurship, Aesthetics -- |t CHAPTER ONE Noise: Pi -- |t CHAPTER TWO Rhythm: Requiem for a Dream -- |t CHAPTER THREE Grief: The Fountain -- |t CHAPTER FOUR Masochism: The Wrestler -- |t CHAPTER FIVE The Uncanny Sublime: Black Swan -- |t Conclusion -- |t Appendix. Darren Aronofsky Filmography -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky's films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | |
650 | 0 | |a Emotions in motion pictures. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Berghahn Books Complete eBook-Package 2014-2015 |z 9783110998238 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9781782385769 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781782385769 |z Texto completo |
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