Sculpture /
Philip Rawson, a distinguished academic and author, practiced as a sculptor all of his life. Sculpture, his final book, completes the trilogy begun with his classic works, Drawing and Ceramics. As in those earlier volumes, Rawson provides a clear, factual description of the underlying principles and...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Philadelphia :
University of Pennsylvania Press,
[2016]
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Edición: | Reprint 2016 |
Colección: | Anniversary Collection
|
Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Rawson, Philip, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Sculpture / |c Philip Rawson. |
250 | |a Reprint 2016 | ||
264 | 1 | |a Philadelphia : |b University of Pennsylvania Press, |c [2016] | |
264 | 4 | |c ©1997 | |
300 | |a 1 online resource (176 p.) : |b 90 illus. | ||
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490 | 0 | |a Anniversary Collection | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t 1. Introduction -- |t 2. Processes and Materials -- |t 3. Color in Sculpture -- |t 4. Scale, Environment, and Space -- |t 5. Form and Realization: General -- |t 6. Form and Realization: Specific -- |t 7. Aggregates -- |t 8. The Overall Image -- |t 9. Sculptural Drawing -- |t Conclusion -- |t Index -- |t About the Author |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Philip Rawson, a distinguished academic and author, practiced as a sculptor all of his life. Sculpture, his final book, completes the trilogy begun with his classic works, Drawing and Ceramics. As in those earlier volumes, Rawson provides a clear, factual description of the underlying principles and structural techniques of the art. Although Rawson discusses sculptures from many places and periods--including Africa, Asia, Greece, Medieval and Renaissance Europe, and twentieth-century Europe and America--Sculpture is not a history as such. Rather, it is an original analysis of sculpture as a fundamental and integral form of human "language" capable of conveying a variety of different insights, offering a wealth of cultural and symbolic meaning. In the course of this analysis, Sculpture explores the full range of expressive techniques available to the sculptor today. Rawson's intent is to reveal possible modes of sculptural thought for practitioners and to enable the nonexpert to better understand and appreciate the emotional and intellectual content of any work. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 0 | |a Sculpture. | |
650 | 7 | |a ART / Criticism. |2 bisacsh | |
653 | |a Architecture. | ||
653 | |a Fine Art. | ||
653 | |a Garden History. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Pennsylvania Press Package Archive 1898-1999 |z 9783110442526 |
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856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781512805550 |z Texto completo |
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