The Aesthetic Paths of Philosophy : Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy /

This book examines the ways that Heidegger, Lacoue-Labarthe, and Nancy adopt and reconfigure the Kantian understanding of "aesthetic presentation." In Kant, "aesthetic presentation" is understood in a technical sense as a specific mode of experience within a typology of different...

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Detalles Bibliográficos
Autor principal: Ross, Alison (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, CA : Stanford University Press, [2022]
Colección:Cultural Memory in the Present
Temas:
PHILOSOPHY / Aesthetics.
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 4 |a The Aesthetic Paths of Philosophy :  |b Presentation in Kant, Heidegger, Lacoue-Labarthe, and Nancy /  |c Alison Ross. 
264 1 |a Stanford, CA :   |b Stanford University Press,   |c [2022] 
264 4 |c ©2007 
300 |a 1 online resource (256 p.) 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Cultural Memory in the Present 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Abbreviations --   |t Introduction: The Aesthetic Paths of Philosophy --   |t 1. The Formulation of the Problem of Presentation in Kant' s Doctrine of Taste --   |t 2. Pragmatic Anthropology in the Third Critique's Project of Aesthetic Presentation --   |t 3. Heidegger' s Reading of Kant and His Historicisation of Relations of Presentation --   |t 4. 'Technology' and 'Art' as Relations of Presentation in Heidegger' s Thought --   |t 5. Lacoue-Labarthe: Aesthetic Presentation and the Figuring of the Political --   |t 6. Nancy: Touching the Limits of Presentation --   |t Conclusion: The Path of Presentation --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a This book examines the ways that Heidegger, Lacoue-Labarthe, and Nancy adopt and reconfigure the Kantian understanding of "aesthetic presentation." In Kant, "aesthetic presentation" is understood in a technical sense as a specific mode of experience within a typology of different spheres of experience. This study argues that Heidegger, Lacoue-Labarthe, and Nancy generalize the elements of this specific mode of experience so that the aesthetic attitude and the vocabulary used by Kant to describe it are brought to bear on things in general. The book goes beyond documenting the well-known influence of Kant's Critique of Judgment, however, to open up a new way of approaching some of the central issues in post-Kantian thought-including why it is that art, the art work, and the aesthetic are still available as a vehicle of critique even, or especially, after Auschwitz. It shows that a genealogy of contemporary theory needs to look at the question of presentation, which has arguably been a question that has worried philosophy from its very beginning. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) 
650 7 |a PHILOSOPHY / Aesthetics.  |2 bisacsh 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9781503626188  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9781503626188  |z Texto completo 
912 |a GBV-deGruyter-alles 

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