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Borderlines : The Shiftings of Gender in British Romanticism /
Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the stylized "feminine" poetess, the aberrant "masculine" woman, male poets deemed "feminine" or "unmanly," the campy male...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stanford, CA :
Stanford University Press,
[2022]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- Preface
- List of Illustrations
- Chapter One On the Borderlines of Gendered Language
- Two Women
- Chapter Two Felicia Hemans and the Stages of "The Feminine"
- Chapter Three The Generations of "Masculine" Woman
- Chapter Four Woman's Life and "Masculine" Energy: The History of Maria Jane Jewsbury
- Two Men
- Chapter Five Lord Byron, Sardanapalus, and "Effeminate Character"
- Chapter Six Gender as Cross-Dressing in Don Juan: Men & Women / Male & Female / Masculine & Feminine
- Chapter Seven Keats and Gender Acts: "Had I Man's Fair Form"
- Chapter Eight Gendering Keats: "The Character Undecided, the Way of Life Uncertain"
- Body and Soul
- Chapter Nine Sex in Souls?
- Texts
- Abbreviations
- Notes
- Works Cited
- Index