Borderlines : The Shiftings of Gender in British Romanticism /

Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the stylized "feminine" poetess, the aberrant "masculine" woman, male poets deemed "feminine" or "unmanly," the campy male...

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Detalles Bibliográficos
Autor principal: Wolfson, Susan J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, CA : Stanford University Press, [2022]
Temas:
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
Acceso en línea:Texto completo
Texto completo

MARC

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100 1 |a Wolfson, Susan J.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Borderlines :  |b The Shiftings of Gender in British Romanticism /  |c Susan J. Wolfson. 
264 1 |a Stanford, CA :   |b Stanford University Press,   |c [2022] 
264 4 |c ©2006 
300 |a 1 online resource (456 p.) :  |b 13 illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Preface --   |t List of Illustrations --   |t Chapter One On the Borderlines of Gendered Language --   |t Two Women --   |t Chapter Two Felicia Hemans and the Stages of "The Feminine" --   |t Chapter Three The Generations of "Masculine" Woman --   |t Chapter Four Woman's Life and "Masculine" Energy: The History of Maria Jane Jewsbury --   |t Two Men --   |t Chapter Five Lord Byron, Sardanapalus, and "Effeminate Character" --   |t Chapter Six Gender as Cross-Dressing in Don Juan: Men & Women / Male & Female / Masculine & Feminine --   |t Chapter Seven Keats and Gender Acts: "Had I Man's Fair Form" --   |t Chapter Eight Gendering Keats: "The Character Undecided, the Way of Life Uncertain" --   |t Body and Soul --   |t Chapter Nine Sex in Souls? --   |t Texts --   |t Abbreviations --   |t Notes --   |t Works Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the stylized "feminine" poetess, the aberrant "masculine" woman, male poets deemed "feminine" or "unmanly," the campy male "effeminate," and hapless or strategic cross-dressers of both sexes. With fresh readings of the works, careers, and volatile receptions of Mary Wollstonecraft, Felicia Hemans, M. J. Jewsbury, Lord Byron, and John Keats, Susan Wolfson shows how senses (and sensations) of gender shape and get shaped by sign systems that prove arbitrary, fluid, and susceptible of lively transformation. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 7 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Stanford University Press Backlist eBook-Package 2000-2013  |z 9783110704204 
776 0 |c print  |z 9780804752978 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9781503625662  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9781503625662  |z Texto completo 
912 |a 978-3-11-070420-4 Stanford University Press Backlist eBook-Package 2000-2013  |c 2000  |d 2013 
912 |a GBV-deGruyter-alles 

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