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Algeria Cuts : Women and Representation, 1830 to the Present /
Algeria Cuts discusses the figure of woman, both under colonial rule in Algeria and within the postcolonial independent nation-state. It is an interdisciplinary project that spans fine art, film, colonial and legal policy, manifestos, prose fiction, and theoretical and philosophical texts concerning...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stanford, CA :
Stanford University Press,
[2022]
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| Colección: | Cultural Memory in the Present
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction: The Living Dead
- Part I Theorizing justice
- 1 Frames, Contexts, Community, Justice
- 2 The Experience of Evidence: Language, the Law, and the Mockery of Justice
- Part II. Melancholic remainders
- 3 The Battle of Algiers and The Nouba of the Women: From Third to Fourth Cinema
- 4 Women of Algiers in Their Apartment: Trauma, Melancholia, and Nationalism
- Part III Algeria beyond itself
- 5 Latent Ghosts and the Manifesto: Baya, Breton, and Reading for the Future
- 6 "Araby" (Dubliners) and A Sister to Scheherazade: Women's Time and the Time of the Nation
- Afterword
- Notes
- Index