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Algeria Cuts : Women and Representation, 1830 to the Present /

Algeria Cuts discusses the figure of woman, both under colonial rule in Algeria and within the postcolonial independent nation-state. It is an interdisciplinary project that spans fine art, film, colonial and legal policy, manifestos, prose fiction, and theoretical and philosophical texts concerning...

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Detalles Bibliográficos
Autor principal: Khanna, Ranjana (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, CA : Stanford University Press, [2022]
Colección:Cultural Memory in the Present
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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100 1 |a Khanna, Ranjana,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Algeria Cuts :  |b Women and Representation, 1830 to the Present /  |c Ranjana Khanna. 
264 1 |a Stanford, CA :   |b Stanford University Press,   |c [2022] 
264 4 |c ©2008 
300 |a 1 online resource (328 p.) :  |b 31 illustrations 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Cultural Memory in the Present 
505 0 0 |t Frontmatter --   |t Contents --   |t Figures --   |t Preface --   |t Acknowledgments --   |t Introduction: The Living Dead --   |t Part I Theorizing justice --   |t 1 Frames, Contexts, Community, Justice --   |t 2 The Experience of Evidence: Language, the Law, and the Mockery of Justice --   |t Part II. Melancholic remainders --   |t 3 The Battle of Algiers and The Nouba of the Women: From Third to Fourth Cinema --   |t 4 Women of Algiers in Their Apartment: Trauma, Melancholia, and Nationalism --   |t Part III Algeria beyond itself --   |t 5 Latent Ghosts and the Manifesto: Baya, Breton, and Reading for the Future --   |t 6 "Araby" (Dubliners) and A Sister to Scheherazade: Women's Time and the Time of the Nation --   |t Afterword --   |t Notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Algeria Cuts discusses the figure of woman, both under colonial rule in Algeria and within the postcolonial independent nation-state. It is an interdisciplinary project that spans fine art, film, colonial and legal policy, manifestos, prose fiction, and theoretical and philosophical texts concerning the relationship between France and Algeria. Khanna investigates gendered representation, identification, and justice, and in the process, calls into question the ways in which conventional disciplinary frameworks foreclose certain avenues of reflection while foregrounding others. Algeria Cuts seeks to understand Algeria and Algerian women as a philosophical site that facilitates an understanding of justice and the pursuit of feminism. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) 
650 7 |a LITERARY CRITICISM / Middle Eastern.  |2 bisacsh 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9781503625556  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9781503625556  |z Texto completo 
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