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The Other Side of the Story : Structures and Strategies of Contemporary Feminist Narratives /

In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative techni...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hite, Molly (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, NY : Cornell University Press, [2018]
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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100 1 |a Hite, Molly,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Other Side of the Story :  |b Structures and Strategies of Contemporary Feminist Narratives /  |c Molly Hite. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2018] 
264 4 |c ©1992 
300 |a 1 online resource (186 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t 1 Writing in the Margins: Jean Rhys --   |t 2 The Future in a Different Shape: Broken Form and Possibility in The Golden Notebook --   |t 3 Romance, Marginality, Matrilineage: The Color Purple --   |t 4 Other Side, Other Woman: Lady Oracle --   |t Index 
506 0 |a Open Access  |u https://purl.org/coar/access_right/c_abf2  |f unrestricted online access  |2 star 
520 |a In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments. 
538 |a Mode of access: Internet via World Wide Web. 
540 |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:   |u https://creativecommons.org/licenses/by-nc-nd/4.0   |u https://degruyter.uam.elogim.com/dg/page/open-access-policy 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a English fiction  |x Women authors  |x History and criticism. 
650 0 |a English fiction  |y 20th century  |x History and criticism. 
650 0 |a Feminism and literature  |z English-speaking countries  |x History  |y 20th century. 
650 0 |a Feminist fiction, English  |x History and criticism. 
650 0 |a Narration (Rhetoric). 
650 0 |a Women and literature  |z English-speaking countries  |x History  |y 20th century. 
650 4 |a Literary Studies. 
650 4 |a Womens Studies. 
650 7 |a LITERARY CRITICISM / Women Authors.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Cornell University Press Archive Pre-2000  |z 9783110536171 
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