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Gothic Reflections : Narrative Force in Nineteenth-Century Fiction /
The Gothic has long been seen as offering a subversive challenge to the norms of realism. Locating both Gothic and mainstream Victorian fiction in a larger literary and cultural field, Peter K. Garrett argues that the oppositions usually posed between them are actually at work within both. He furthe...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca, NY :
Cornell University Press,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Garrett, Peter, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Gothic Reflections : |b Narrative Force in Nineteenth-Century Fiction / |c Peter Garrett. |
| 264 | 1 | |a Ithaca, NY : |b Cornell University Press, |c [2018] | |
| 264 | 4 | |c ©2003 | |
| 300 | |a 1 online resource (256 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t Introduction -- |t Part I. The Force of a Frame -- |t 1. Poe and the Tale -- |t 2. Gothic Reflexivity from Walpole to Hogg -- |t 3. Poe and His Doubles -- |t Part II. Monster Stories -- |t 4. Frankenstein -- |t 5. Dr. jekyll and Mr. Hyde -- |t 6. Dracula -- |t Part III. The Language of Destiny -- |t 7. Dickens -- |t 8. Eliot -- |t 9. James -- |t Conclusion -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The Gothic has long been seen as offering a subversive challenge to the norms of realism. Locating both Gothic and mainstream Victorian fiction in a larger literary and cultural field, Peter K. Garrett argues that the oppositions usually posed between them are actually at work within both. He further shows how, by offering alternative versions of its stories, nineteenth-century Gothic fiction repeatedly reflects on narrative force, the power exerted by both writers and readers.Beginning with Poe's theory and practice of the Gothic tale as an exercise (or fantasy) of authorial power, Garrett then reads earlier eighteenth-century and Romantic Gothic fiction for comparable reflexive implications. Throughout, he stresses the ways authors doubled both characters and narrative perspectives to raise issues of power and authority in the tension between central deviant figures and social norms. Garrett then shows how the great nineteenth-century monster stories Frankenstein, Dr. Jekyll and Mr. Hyde, and Dracula self-consciously link the extremity and isolation of their deviant figures with the social groups they confront. These narratives, he argues, move from a Romantic concern with individual creation and responsibility to a Victorian affirmation of social solidarity that also reveals its dependence on the binding force of exclusionary violence. The final section of the book extends its investigation of Gothic reflections on narrative force into the more realistic social and psychological fiction of Dickens, Eliot, and James. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a American fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a English fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a Gothic revival (Literature) |z Great Britain. | |
| 650 | 0 | |a Gothic revival (Literature) |z United States. | |
| 650 | 0 | |a Horror tales, American |x History and criticism. | |
| 650 | 0 | |a Horror tales, English |x History and criticism. | |
| 650 | 0 | |a Narration (Rhetoric). | |
| 650 | 4 | |a England. | |
| 650 | 4 | |a Literary Studies. | |
| 650 | 7 | |a LITERARY CRITICISM / Gothic & Romance. |2 bisacsh | |
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