Licensed by Authority : Ben Jonson and the Discourses of Censorship /
A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the politica...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Ithaca, NY :
Cornell University Press,
[2018]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Burt, Richard, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Licensed by Authority : |b Ben Jonson and the Discourses of Censorship / |c Richard Burt. |
264 | 1 | |a Ithaca, NY : |b Cornell University Press, |c [2018] | |
264 | 4 | |c ©1993 | |
300 | |a 1 online resource (240 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t Abbreviations -- |t INTRODUCTION. -- |t CHAPTER ONE. Branding the Body, Burning the Book: Censorship, Criticism, and the Consumption of Jonson's Corpus -- |t CHAPTER TWO. Licensing Authorities: Jonson, Shakespeare, and the Politics of Theatrical Professionalism -- |t CHAPTER THREE. Th'Only Catos of This Critick Age: Late Jonson and the Reformation of Caroline Tastes -- |t CONCLUSION. -- |t Notes -- |t Works Cited -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the political vicissitudes of his career, Richard Burt offers a provocative reinterpretation of Jacobean and Caroline theater censorship and theatrical culture.Informed by the writings of Foucault and Bourdieu, Licensed by Authority historicizes censorship, arguing that it was less a matter of denying dramatists liberty of speech than a network of productive strategies for legitimating and delegitimating specific discursive practices. Burt draws on a rich body of archival and literary evidence, including plays by Shakespeare and by Jonson's Caroline contemporaries, in order to demonstrate that censorship was nurtured and sustained not only by a culturally diverse Stuart court but also by the playwrights themselves, along with theatrical entrepreneurs, printers, poets, and critics. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Drama |x Censorship |z Great Britain |x History |y 17th century. | |
650 | 0 | |a Theater |x Censorship |z Great Britain |x History |y 17th century. | |
650 | 4 | |a England. | |
650 | 4 | |a Literary Studies. | |
650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Cornell University Press Archive Pre-2000 |z 9783110536171 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.7591/9781501722424 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781501722424 |z Texto completo |
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