The Difference Satire Makes : Rhetoric and Reading from Jonson to Byron /
Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
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Ithaca, NY :
Cornell University Press,
[2019]
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Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Bogel, Fredric V., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Difference Satire Makes : |b Rhetoric and Reading from Jonson to Byron / |c Fredric V. Bogel. |
264 | 1 | |a Ithaca, NY : |b Cornell University Press, |c [2019] | |
264 | 4 | |c ©2012 | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t 1. Satire, Resistance, Theory -- |t 2. A Theory of Satiric Rhetoric -- |t 3. Jonson's Volpone: Dramatic Reversal and Satiric Doubleness -- |t 4. Swift's Poems: Satire, Contamination, Authority -- |t 5. Gay's The Beggar's Opera: Satire and Simile -- |t 6. Fielding's Jonathan Wild: "Doing Violence to Certain Words" -- |t 7. Byron's Beppo: Satire and Romantic Abbreviation -- |t 8. Satire and the Augustan Critique of the Category -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire-from writings by Ben Jonson and Lord Byron to recent performance art-Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era-a questioning of the very status of the category and of categorical distinctness and opposition. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 4 | |a England. | |
650 | 4 | |a Literary Studies. | |
650 | 7 | |a LITERARY CRITICISM / Horror & Supernatural. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Cornell University Press Backlist 2000-2013 |z 9783110536157 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.7591/9781501722257 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781501722257 |z Texto completo |
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