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Shadows in the Cave : A phenomenological approach to literary criticism based on Hispanic texts /
Professor Valdes presents a theory of literary criticism based on phenomenological philosophy - primarily the work of Husserl, Ingarden, Merleau-Ponty, and Ricoeur. His basic argument is that literary texts are inexhaustible sources of imaginative creativity for their readers, and, further, that thi...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
[2019]
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| Colección: | Heritage
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Valdes, Mario, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Shadows in the Cave : |b A phenomenological approach to literary criticism based on Hispanic texts / |c Mario Valdes. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2019] | |
| 264 | 4 | |c ©1982 | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t 1. Unamuno: the point of departure This -- |t 2. Phenomenological premises for literary criticism -- |t 3. The narrative text -- |t 4. The author -- |t 5. The reader -- |t 6. The critic -- |t 7. A structure of enquiry -- |t 8. A method of enquiry -- |t 9. Commentary on Don Quixote -- |t 10. Heuristic models of enquiry -- |t Notes -- |t Bibliography -- |t Index of authors |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Professor Valdes presents a theory of literary criticism based on phenomenological philosophy - primarily the work of Husserl, Ingarden, Merleau-Ponty, and Ricoeur. His basic argument is that literary texts are inexhaustible sources of imaginative creativity for their readers, and, further, that this openness does not inhibit serious commentary but rather enhances the critic's possibilities of exchange, dialogue, and intellectual enrichment. He argues for a system of classification of narrative texts according to phenomenological principles in which form is considered as a heuristic device established for the purpose of understanding the nature of literary expression. The only critical approach he holds to be untenable is that which lays claim to a definitive interpretation of a text, for such an approach would mean the death of the literary text as a creative source. Valdes' presentation progresses from a statement of premises, through the construction of a critical approach, to a concluding historical generalization about literature. To introduce the richness of the Hispanic literatures and to elaborate an historical overview of one literary tradition, he has chosen to examine texts from Hispanic literatures exclusively, notably those of Unamuno and Cervantes. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 0 | |a Criticism. | |
| 650 | 0 | |a Phenomenology and literature. | |
| 650 | 0 | |a Spanish literature |x History and criticism. | |
| 650 | 7 | |a LITERARY CRITICISM / American / Hispanic American. |2 bisacsh | |
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| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781487574802 |z Texto completo |
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