Black Patience : Performance, Civil Rights, and the Unfinished Project of Emancipation /
A bold rethinking of the Civil Rights Movement through the lens of Black theater"Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait-in the holds of slave ships and on auction blocks, in segr...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
New York, NY :
New York University Press,
[2022]
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Colección: | Performance and American Cultures
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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024 | 7 | |a 10.18574/nyu/9781479806874.001.0001 |2 doi | |
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082 | 0 | 4 | |a 792.089/96073 |2 23 |
100 | 1 | |a Fleming Jr., Julius B., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Black Patience : |b Performance, Civil Rights, and the Unfinished Project of Emancipation / |c Julius B. Fleming Jr. |
264 | 1 | |a New York, NY : |b New York University Press, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource : |b 12 b/w illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Performance and American Cultures | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction: Impatient to Be Free -- |t 1. One Hundred Years Later: The Unfinished Project of Emancipation -- |t 2. Black Time, Black Geography: The Free Southern Theater -- |t 3. Black Queer Time and the Erotics of the Civil Rights Body -- |t 4. Picturing White Impatience: Theatre and Visual Culture 181 -- |t 5. Lunch Counters, Prisons, and the Radical Potential of Black Patience -- |t Acknowledgments -- |t Notes -- |t Index -- |t About the Author |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a A bold rethinking of the Civil Rights Movement through the lens of Black theater"Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait-in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards-for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
650 | 0 | |a African American theater |x History |y 20th century. | |
650 | 0 | |a African Americans |x Civil rights |x History |y 20th century. | |
650 | 0 | |a Theater and society |z United States |x History |y 20th century. | |
650 | 0 | |a Time |x Philosophy |x History |y 20th century. | |
650 | 7 | |a ART / Performance. |2 bisacsh | |
653 | |a Affect. | ||
653 | |a Amiri Baraka. | ||
653 | |a Black Ontology. | ||
653 | |a Civil Rights Movement. | ||
653 | |a Disappearance. | ||
653 | |a Douglas Turner Ward. | ||
653 | |a Duke Ellington. | ||
653 | |a Emancipation. | ||
653 | |a Free Southern Theater. | ||
653 | |a Freedom. | ||
653 | |a Jail-ins. | ||
653 | |a James Baldwin. | ||
653 | |a Lorraine Hansberry. | ||
653 | |a Mississippi. | ||
653 | |a Movement. | ||
653 | |a Paul Carter Harrison. | ||
653 | |a Performance. | ||
653 | |a Plantation Geographies. | ||
653 | |a Queer Futures. | ||
653 | |a Queer Time. | ||
653 | |a Race. | ||
653 | |a Radicalism. | ||
653 | |a Sit-ins. | ||
653 | |a Slavery. | ||
653 | |a Stillness. | ||
653 | |a The Erotic. | ||
653 | |a Theatre. | ||
653 | |a Time. | ||
653 | |a Transnationalism. | ||
653 | |a U.S. South. | ||
653 | |a Visual Culture. | ||
653 | |a Whiteness. | ||
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