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Death's Futurity : The Visual Life of Black Power /
In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2022]
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| Colección: | The Visual Arts of Africa and its Diasporas : 43
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 245 | 1 | 0 | |a Death's Futurity : |b The Visual Life of Black Power / |c Sampada Aranke. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2022] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (232 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 0 | |a The Visual Arts of Africa and its Diasporas : 43 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: The Visual Life of Black Power -- |t 1 "1,000 Bobby Huttons" -- |t 2 Fred Hampton and the Political Life of Objects -- |t 3 George Jackson's Murder and Fugitive Imaginaries -- |t Epilogue: The United States of Attica -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton's afterlife through visual meditations of his murder. Printmaking and political posters surrounding Jackson's murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Duke University Press Complete eBook-Package 2023 |z 9783110997750 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9781478023937?locatt=mode:legacy |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781478023937 |z Texto completo |
| 912 | |a 978-3-11-099775-0 Duke University Press Complete eBook-Package 2023 |b 2023 | ||
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