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A Fictional Commons : Natsume Soseki and the Properties of Modern Literature /
Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguiti...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Bourdaghs, Michael K., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 2 | |a A Fictional Commons : |b Natsume Soseki and the Properties of Modern Literature / |c Michael K. Bourdaghs. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (235 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Note on Usage -- |t Acknowledgments -- |t Introduction. Owning Up to Sōseki -- |t Chapter One. Fables of Property -- |t Chapter Two. House under a Shadow -- |t Chapter Three. Property and Sociological Knowledge -- |t Chapter Four. The Tragedy of the Market -- |t Conclusion. Who Owns Sōseki? Or, How Not to Belong in World Literature -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Japanese fiction |y Meiji period, 1868-1912 |x History and criticism. | |
| 650 | 0 | |a Property in literature. | |
| 650 | 0 | |a Right of property |z Japan |x History. | |
| 650 | 7 | |a LITERARY CRITICISM / Asian / Japanese. |2 bisacsh | |
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