Media Crossroads : Intersections of Space and Identity in Screen Cultures /
The contributors to Media Crossroads examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Considering a wide range of film, television, video games, and other media, the authors show how spaces-from the large and fantastical to the intimate and...
Clasificación: | Libro Electrónico |
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Otros Autores: | , , , , , , , , , , , , , , , , , , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Durham :
Duke University Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Intersections and/in Space
- I _ DIGITAL INTERSECTIONS
- Chapter one / "Where Do Aliens Pee?": Bathroom Selfies, Trans Activism, and Reimagining Spaces
- Chapter two / The Queerness of Space and the Body in Nintendo's The Legend of Zelda Series
- Chapter three / The Digital Flâneuse: Exploring Intersectional Identities and Spaces through Walking Simulators
- II _ CINEMATIC URBAN INTERSECTIONS
- Chapter four / Blurring Boundaries, Exploring Intersections: Form, Genre, and Space in Shirley Clarke's The Connection
- Chapter five / Intersections in Madrid's Periphery: Cinematic Cruising in Eloy de la Iglesia's La semana del asesino (1972)
- Chapter six / Encounters and Embeddedness: The Urban Cinema of Ramin Bahrani
- Chapter seven / Perpetual Motion: Mobility, Precarity, and Slow Death Cinema
- III _ URBANISM AND GENTRIFICATION
- Chapter eight / Senior Citizens under Siege: Number Our Days (1976) and Gray Power Activism in Venice
- Chapter nine / Music City Makeover: The Televisual Tourism of Nashville
- Chapter ten / Portland at the Intersection: Gentrification and the Whitening of the City in Portlandia's Hipster Wonderland
- Chapter eleven / Criminal Properties: Real Estate and the Upwardly Mobile Gangster
- IV _ RACE, PLACE, AND SPACE
- Chapter twelve / Dressing the Part: Black Maids, White Stars in the Dressing Room
- Chapter thirteen / "I Do Not Know That I Find Myself Anywhere": The British Heritage Film and Spaces of Intersectionality in Amma Asante's Belle (2013)
- Chapter fourteen / Queerness, Race, and Class in the Midcentury Suburb Film Crime of Passion (1956)
- Chapter fifteen / Fair Play: Race, Space, and Recreation in Black Media Culture
- V _ STYLE AND/AS INTERSECTIONALITY
- Chapter sixteen / The Toxic Intertwining of Small-Town Lives in Happy Valley
- Chapter seventeen / Tattooed Light and Embodied Design: Intersectional Surfaces in Moana
- Chapter eighteen / Vaguely Visible: Intersectional Politics in Bertrand Bonello's Nocturama (2016)
- Notes
- Bibliography
- Contributors
- Index