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Unseeing Empire : Photography, Representation, South Asian America /
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affe...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2020]
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| Colección: | A Camera Obscura Book
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Mani, Bakirathi, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Unseeing Empire : |b Photography, Representation, South Asian America / |c Bakirathi Mani. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
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| 490 | 0 | |a A Camera Obscura Book | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t introduction The Work of Seeing: Photography and Representation in Diaspora -- |t one Uncanny Feelings: Diasporic Mimesis in Seher Shah's Geometric Landscapes and the Spectacle of Force -- |t two Representation in the Colonial Archive: Annu Palakunnathu Matthew's An Indian from India -- |t three Exhibiting Immigrants: Visuality, Visibility, and Representation at Beyond Bollywood -- |t four Archives of Diaspora: Gauri Gill's The Americans -- |t epilogue Curating Photography, Seeing Community -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a South Asian Americans |x Cultural assimilation |z United States. | |
| 650 | 0 | |a South Asian Americans |x Ethnic identity. | |
| 650 | 0 | |a South Asian diaspora. | |
| 650 | 7 | |a Photography / Criticism. |2 bisacsh | |
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