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Keith Haring's Line : Race and the Performance of Desire /
In the thirty years since his death, Keith Haring-a central presence on the New York downtown scene of the 1980s-has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring's artistry, Ricardo Montez traces the drawn and painte...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 050 | 0 | 0 | |a N6537.H348 |b M66 2020 |
| 072 | 7 | |a ART015110 |2 bisacsh | |
| 100 | 1 | |a Montez, Ricardo, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Keith Haring's Line : |b Race and the Performance of Desire / |c Ricardo Montez. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (165 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t Introduction: The Call of the Impossible Figure -- |t 1 Desire in Transit -- |t 2 "Trade" Marks -- |t 3 Theory Made Flesh? -- |t 4 Drips, Rust, and Residue -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In the thirty years since his death, Keith Haring-a central presence on the New York downtown scene of the 1980s-has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring's artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring's artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring's Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring's life and art. Examining Haring's engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring's messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Art and race. | |
| 650 | 0 | |a Art, American |y 20th century. | |
| 650 | 0 | |a Line (Art) | |
| 650 | 0 | |a Pop art |z United States. | |
| 650 | 0 | |a Sex and art. | |
| 650 | 0 | |a Street art |z United States. | |
| 650 | 7 | |a ART / History / Contemporary (1945-). |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Art and Architecture eBook-Package 2020 |z 9783110738230 |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2020 English |z 9783110704716 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2020 |z 9783110704518 |o ZDB-23-DGG |
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