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Urban Horror : Neoliberal Post-Socialism and the Limits of Visibility /
In Urban Horror Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal post-socialist China. Drawing on Marxist phenomenology, geography, and aesthetics from Engels and Merleau-Ponty to Lefebvre and Rancière, Huang traces the emergence and mediation of what she calls...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2020]
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| Colección: | Sinotheory : 10
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- Introduction. Urban Horror. Speculative Futures of Chinese Cinemas
- 1. Cartographies of Socialism and Post-Socialism The Factory Gate and the Threshold of the Visible World
- 2. Intimate Dystopias Post-Socialist Femininity and the Marxist-Feminist Interior
- 3. The Post-as Media Time Documentary Experiments and the Rhetoric of Ruin Gazing
- 4. Post-Socialism in Hong Kong Zone Urbanism and Marxist Phenomenology
- 5. The Ethics of Representing Precarity Film in the Era of Global Complicity
- Epilogue
- Notes
- Bibliography
- Index