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Japonisme and the Birth of Cinema /
In Japonisme and the Birth of Cinema, Daisuke Miyao explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, Miyao contends that more than bein...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Miyao, Daisuke, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Japonisme and the Birth of Cinema / |c Daisuke Miyao. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (222 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Acknowledgments -- |t Introduction -- |t 1 The À Travers Cinema: Japonisme and the Lumière Brothers' Films -- |t 2 Japonisme and Nativized Orientalism: The Lumière Brothers' "Japanese Films" -- |t 3 Japonisme and Internalized Orientalism: Cinematographer Shibata Tsunekichi and the Birth of Cinema in Japan -- |t Epilogue Japonisme and the Birth of a Female Star in Hollywood and in Japan -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Japonisme and the Birth of Cinema, Daisuke Miyao explores the influence of Japanese art on the development of early cinematic visual style, particularly the actualité films made by the Lumière brothers between 1895 and 1905. Examining nearly 1,500 Lumière films, Miyao contends that more than being documents of everyday life, they provided a medium for experimenting with aesthetic and cinematic styles imported from Japan. Miyao further analyzes the Lumière films produced in Japan as a negotiation between French Orientalism and Japanese aesthetics. The Lumière films, Miyao shows, are best understood within a media ecology of photography, painting, and cinema, all indebted to the compositional principles of Japonisme and the new ideas of kinetic realism it inspired. The Lumière brothers and their cinematographers shared the contemporaneous obsession among Impressionist and Post-Impressionist artists about how to instantly and physically capture the movements of living things in the world. Their engagement with Japonisme, he concludes, constituted a rich and productive two-way conversation between East and West. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Art and motion pictures |z France. | |
| 650 | 0 | |a Art, Modern |x Japanese influences. | |
| 650 | 0 | |a Culture in motion pictures. | |
| 650 | 0 | |a Japonism |z France. | |
| 650 | 0 | |a Motion pictures |z France |x History |y 19th century. | |
| 650 | 0 | |a Motion pictures |z Japan |x History |y 19th century. | |
| 650 | 0 | |a Motion pictures, French |z Japan |x History. | |
| 650 | 0 | |a Orientalism |z France. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 653 | |a transnational orientalism. | ||
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