Chicano and Chicana Art : A Critical Anthology /
This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art-which includes many of Chicano/a art's landmark and foundational...
Clasificación: | Libro Electrónico |
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Otros Autores: | , , , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Durham :
Duke University Press,
[2019]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Chicano and Chicana Art
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Acknowledgments
- Introduction
- Part I. Definitions and Debates
- Introduction
- 1. Looking for Alternatives: Notes on Chicano Art, 1960-1990
- 2. Con Safo (C/S) Artists: A Contingency Factor
- 3. El Arte del Chicano: "The Spirit of the Experience"
- 4. Notes on an Aesthetic Alternative
- 5. A Critical Perspective on the State of Chicano Art
- 6. Response: Another Opinion on the State of Chicano Art
- 7. Post-Chicano
- 8. The New Chicano Movement
- 9. Post-movimiento: The Contemporary (Re)Generation of Chicana/o Art
- Further Reading
- Part II. Cultural Reclamation and Vernacular Traditions
- Introduction
- 10. The Politics of Popular Art
- 11. Rasquachismo: A Chicano Sensibility
- 12. Domesticana: The Sensibility of Chicana Rasquachismo
- 13. Chicano Humor in Art: For Whom the Taco Bell Tolls
- 14. Points of Convergence: The Iconography of the Chicano Poster
- 15. Graffiti Is Art: Any Drawn Line That Speaks about Identity, Dignity, and Unity . . . That Line Is Art
- 16. Inventing Tradition, Negotiating Modernism: Chicano/a Art and the Pre-Columbian Past
- 17. Negotiated Frontiers: Contemporary Chicano Photography
- 18. Deus ex Machina: Tradition, Technology, and the Chicanafuturist Art of Marion C. Martinez
- 19. Celia Alvarez Muñoz: "Civic Studies"
- Further Reading
- Part III. Bodily Aesthetics and Iconologies
- Introduction
- 20. Mel Casas: Redefining America
- 21. Drawing Offensive/Offensive Drawing: Toward a Theory of Mariconógraphy
- 22. The Pachuco's Flayed Hide: Mobility, Identity, and Buenas Garras
- 23. Writing on the Social Body: Dresses and Body Ornamentation in Contemporary Chicana Art
- 24. Ojo de la Diosa: Becoming Divine in Delilah Montoya's Photography
- 25. Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism and the Work of Alma López
- Further Reading
- Part IV. Public Practices and Enacted Landscapes
- Introduction
- 26. The Enacted Environment of East Los Angeles
- 27. Space, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978
- 28. Pseudographic Cinema: Asco's No-Movies
- 29. Whose Monument Where? Public Art in a Many-Cultured Society
- 30. La Memoria de Nuestra Tierra: Colorado
- 31. The Donkey Cart Caper: Some Thoughts on Socially Conscious Art in Antisocial Public Space
- 32. Public Audit: An Interview with Elizabeth Sisco, Louis Hock, and David Avalos
- Further Reading
- Part V. Border Visions and Immigration Politics
- Introduction
- 33. Border Arte: Nepantla, el Lugar de la Frontera
- 34. The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)
- 35. Straddling la otra frontera: Inserting MiChicana/o Visual Culture into Chicana/o Art History
- 36. Borders, Border Crossing, and Political Art in North Carolina
- 37. Excerpts from Codex Espangliensis: From Columbus to the Border Patrol
- 38. 187 Reasons Why Mexicanos Can't Cross the Border (Remix)
- Further Reading
- Part VI. Institutional Frameworks and Critical Reception
- Introduction
- 39. Los Four
- 40. MARCH to an Aesthetic of Revolution
- 41. Resisting Modernism: Chicano Art: Retro Progressive or Progressive Retro?
- 42. Our America at the Smithsonian
- 43. Alex Rivera, Philip Kennicott Debate Washington Post Review of Our America
- 44. What Do We Mean When We Talk about "Latino Art"?
- 45. Chicano Art: Looking Backward
- 46. Readers' Forum Letter to the Editor in Response to Shifra Goldman's Exhibition Review
- 47. Readers' Forum Response to Judithe Hernández's Letter to the Editor
- 48. "All Roads Lead to East L.A.," Goez Art Studios and Gallery
- 49. From CARA to CACA: The Multiple Anatomies of Chicano/a Art at the Turn of the New Century
- 50. On Museum Row: Aesthetics and the Politics of Exhibition
- 51. Strangeways Here We Come
- Further Reading
- Glossary
- Contributors
- Index
- Acknowledgment of Copyrights