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Chicano and Chicana Art : A Critical Anthology /

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art-which includes many of Chicano/a art's landmark and foundational...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Chavoya, C. Ondine (Editor ), González, Jennifer A. (Editor ), Noriega, Chon (Editor ), Romo, Terezita (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2019]
Temas:
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Chicano and Chicana Art
  • Frontmatter
  • Contents
  • List of Illustrations
  • Preface
  • Acknowledgments
  • Introduction
  • Part I. Definitions and Debates
  • Introduction
  • 1. Looking for Alternatives: Notes on Chicano Art, 1960-1990
  • 2. Con Safo (C/S) Artists: A Contingency Factor
  • 3. El Arte del Chicano: "The Spirit of the Experience"
  • 4. Notes on an Aesthetic Alternative
  • 5. A Critical Perspective on the State of Chicano Art
  • 6. Response: Another Opinion on the State of Chicano Art
  • 7. Post-Chicano
  • 8. The New Chicano Movement
  • 9. Post-movimiento: The Contemporary (Re)Generation of Chicana/o Art
  • Further Reading
  • Part II. Cultural Reclamation and Vernacular Traditions
  • Introduction
  • 10. The Politics of Popular Art
  • 11. Rasquachismo: A Chicano Sensibility
  • 12. Domesticana: The Sensibility of Chicana Rasquachismo
  • 13. Chicano Humor in Art: For Whom the Taco Bell Tolls
  • 14. Points of Convergence: The Iconography of the Chicano Poster
  • 15. Graffiti Is Art: Any Drawn Line That Speaks about Identity, Dignity, and Unity . . . That Line Is Art
  • 16. Inventing Tradition, Negotiating Modernism: Chicano/a Art and the Pre-Columbian Past
  • 17. Negotiated Frontiers: Contemporary Chicano Photography
  • 18. Deus ex Machina: Tradition, Technology, and the Chicanafuturist Art of Marion C. Martinez
  • 19. Celia Alvarez Muñoz: "Civic Studies"
  • Further Reading
  • Part III. Bodily Aesthetics and Iconologies
  • Introduction
  • 20. Mel Casas: Redefining America
  • 21. Drawing Offensive/Offensive Drawing: Toward a Theory of Mariconógraphy
  • 22. The Pachuco's Flayed Hide: Mobility, Identity, and Buenas Garras
  • 23. Writing on the Social Body: Dresses and Body Ornamentation in Contemporary Chicana Art
  • 24. Ojo de la Diosa: Becoming Divine in Delilah Montoya's Photography
  • 25. Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism and the Work of Alma López
  • Further Reading
  • Part IV. Public Practices and Enacted Landscapes
  • Introduction
  • 26. The Enacted Environment of East Los Angeles
  • 27. Space, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978
  • 28. Pseudographic Cinema: Asco's No-Movies
  • 29. Whose Monument Where? Public Art in a Many-Cultured Society
  • 30. La Memoria de Nuestra Tierra: Colorado
  • 31. The Donkey Cart Caper: Some Thoughts on Socially Conscious Art in Antisocial Public Space
  • 32. Public Audit: An Interview with Elizabeth Sisco, Louis Hock, and David Avalos
  • Further Reading
  • Part V. Border Visions and Immigration Politics
  • Introduction
  • 33. Border Arte: Nepantla, el Lugar de la Frontera
  • 34. The Spaces of Home in Chicano and Latino Representations of the San Diego-Tijuana Borderlands (1968-2002)
  • 35. Straddling la otra frontera: Inserting MiChicana/o Visual Culture into Chicana/o Art History
  • 36. Borders, Border Crossing, and Political Art in North Carolina
  • 37. Excerpts from Codex Espangliensis: From Columbus to the Border Patrol
  • 38. 187 Reasons Why Mexicanos Can't Cross the Border (Remix)
  • Further Reading
  • Part VI. Institutional Frameworks and Critical Reception
  • Introduction
  • 39. Los Four
  • 40. MARCH to an Aesthetic of Revolution
  • 41. Resisting Modernism: Chicano Art: Retro Progressive or Progressive Retro?
  • 42. Our America at the Smithsonian
  • 43. Alex Rivera, Philip Kennicott Debate Washington Post Review of Our America
  • 44. What Do We Mean When We Talk about "Latino Art"?
  • 45. Chicano Art: Looking Backward
  • 46. Readers' Forum Letter to the Editor in Response to Shifra Goldman's Exhibition Review
  • 47. Readers' Forum Response to Judithe Hernández's Letter to the Editor
  • 48. "All Roads Lead to East L.A.," Goez Art Studios and Gallery
  • 49. From CARA to CACA: The Multiple Anatomies of Chicano/a Art at the Turn of the New Century
  • 50. On Museum Row: Aesthetics and the Politics of Exhibition
  • 51. Strangeways Here We Come
  • Further Reading
  • Glossary
  • Contributors
  • Index
  • Acknowledgment of Copyrights