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Cinematic Realism : Lukács, Kracauer and Theories of the Filmic Real /
Assesses classical and contemporary theories of cinematic realismExplores classical and contemporary theories of cinematic realism to assess their overall key concepts and intellectual configurationsExplores classical theories of cinematic realism more deeply through an analysis of Lukacs/Bergson/ti...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2022]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgements
- Preface
- Introduction: Representation, Perception and Cinematic Realism
- 1. Bergson, the Image and Time
- 2. Introduction to Lukács: Essence, Phenomena and Temporality
- 3. 'On the Phenomenology of the Creative Process' (Lukács 1914)
- 4. 'Thoughts towards an Aesthetic of the Cinema' (Lukács 1913)
- 5. The Specificity of the Aesthetic (Lukács 1963)
- 6. Husserl, Epochē and Lebenswelt
- 7. Introduction to Kracauer: Abstraction, Redemption and Modernity
- 8. 'Photography' (Kracauer 1927)
- 9. 'Introduction: Photography' and 'Basic Concepts', from Theory of Film (Kracauer 1960)
- 10. 'The Historical Approach' and 'The Historian's Journey', from History: The Last Things Before the Last (Kracauer 1968)
- Bibliography
- Index