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The Stages of Property : Copyrighting Theatre in Spain /
The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. L...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
[2016]
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| Colección: | Studies in Book and Print Culture
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Surwillo, Lisa, |e author. | |
| 245 | 1 | 4 | |a The Stages of Property : |b Copyrighting Theatre in Spain / |c Lisa Surwillo. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2016] | |
| 264 | 4 | |c ©2007 | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t Introduction: Law, Theatre, and the Republic of Letters -- |t Stage I: Literary Property and Modern Spain -- |t 1. Cultivating Property: Desamortización and the Culture of Authors' Rights -- |t 2. Performative Appeal: From El trovador to the Royal Decree -- |t Stage II: Poets and Publishers -- |t 3. Authors between Stage and Page -- |t 4. Editores and Owners -- |t Stage III: National Literary Galleries -- |t 5. Textual Museums -- |t 6. Paratextual Performances in the 'Galerías dramáticas' -- |t Conclusion -- |t Appendix -- |t Notes -- |t Sources Cited and Consulted -- |t Illustration Credits -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain?s theatre ? its agents, performance practices, and reception ? over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author?s rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) | |
| 650 | 0 | |a Copyright |x Drama |z Spain |x History |y 19th century. | |
| 650 | 0 | |a Intellectual property |z Spain |x History |y 19th century. | |
| 650 | 0 | |a Theater |x Law and legislation |z Spain |x History |y 19th century. | |
| 650 | 7 | |a DRAMA / European / General. |2 bisacsh | |
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