Establishing Our Boundaries : English-Canadian Theatre Criticism /

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›Establishing Our Boundaries is a cultural history of Canada as seen through the eyes of twenty-one of English Canada's leading theatre critics commenting on the creation of an indigenous Canadian national theatre and drama over two centuries. Canadians have always had an intense relationship t...

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Clasificación:Libro Electrónico
Otros Autores: Arrell, Douglas (Contribuidor), Bessai, Diane (Contribuidor), Day, Moira (Contribuidor), Filewod, Alan (Contribuidor), Gómez, Mayte (Contribuidor), Harvie, Jennifer (Contribuidor), Hoffman, James (Contribuidor), Johnston, Denis (Contribuidor), Knowles, Richard Paul (Contribuidor), Levine, Ira (Contribuidor), Lieblein, Leanore (Contribuidor), Nunn, Robert (Contribuidor), O\x27neill, Patrick B. (Contribuidor), Rubin, Don (Contribuidor), Salter, Denis (Contribuidor), Stuart, Ross (Contribuidor), Wagner, Anton (Contribuidor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, [2016]
Temas:
Dramatic criticism > Canada > History.
LITERARY CRITICISM / Drama.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Contributors
  • Introduction
  • 1. Establishing Our Boundaries: English-Canadian Theatre Criticism
  • Part One: Editor-Critics
  • 2. From Puffery to Criticism - William Lyon Mackenzie, Joseph Howe, and Daniel Morrison: Theatre Criticism in Halifax and Toronto, 1826-1857
  • Part Two: Reviewer-Critics
  • 3. The Critic as Reviewer: E.R. Parkhurst at the Toronto Mail and Globe, 1876-1924
  • 4. The Cosmopolitan, the Cultural Nationalist, and the Egocentric Critic: Harriet Walker, Charles W. Handscomb, and Charles H. Wheeler in Winnipeg, 1898-1906
  • Part Three: Cultural Nationalism
  • 5. Hector Willoughby Charlesworth and the Nationalization of Cultural Authority, 1890-1945
  • 6. Saving the Nation's Aesthetic Soul: B.K. Sandwell at the Montreal Herald, 1900-1914, and Saturday Night, 1932-1951
  • 7. Becoming Actively Creative: Dr Lawrence Mason, the Globe's Critic, 1924-1939
  • 8. Herbert Whittaker, Reporting from the Front: The Montreal Gazette, 1937-1949, and the Globe and Mail, 1949-1975
  • 9. Criticism in a Canadian Social Context: Nathan Cohen's Theatre Criticism, 1946-1971
  • 10. In Anger and Hope: Oscar Ryan at the Canadian Tribune, 1955-1988
  • 11. The Classical Humanist: Jamie Portman at the Calgary Herald, 1959-1975, and the Southam News Service, 1975-1987
  • 12. The Archetypal Enthusiast: Urjo Kareda at the Toronto Star, 1971-1975
  • 13. The Critic as Cultural Nationalist: Don Rubin at the Toronto Star, 1968-1972, and the Canadian Theatre Review, 1974-1983
  • Part Four: The Post-Nationalist Period
  • 14. Subverting Modernisms in British Columbia: Christopher Dafoe at the Vancouver Sun, 1968-1975
  • 15. Journalist or Critic? Brian Brennan at the Calgary Herald, 1975-1988
  • 16. The Iconoclast Sceptic on the Beat: Gina Mallet at the Toronto Star, 1976-1984
  • 17. Establishing Contact between Two Cultures: Marianne Ackerman at the Montreal Gazette, 1983-1987
  • 18. Theatre - Transgression or Tribal Celebration? Ray Conlogue at the Globe and Mail, 1978-1998
  • Selected Bibliography

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