Chamber Music : Elizabethan Sonnet-Sequences and the Pleasure of Criticism /
Roger Kuin's Chamber Music is a playfully written, imaginative, and ultimately demanding book, with a critical approach characterized by an unusual and indiosynchratic post-modern critical style that will challenge the reader's perceptions of what a book of criticism should and can do.Anal...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Toronto :
University of Toronto Press,
[2016]
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Colección: | Heritage
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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245 | 1 | 0 | |a Chamber Music : |b Elizabethan Sonnet-Sequences and the Pleasure of Criticism / |c Roger Kuin. |
264 | 1 | |a Toronto : |b University of Toronto Press, |c [2016] | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Preface -- |t 1. Prelude -- |t 2. Three easy pieces -- |t 3. Polyphony -- |t 4. Tempo/Sequenza -- |t 5. Two-part invention -- |t 6. Theme with variations -- |t 7. From the New World -- |t 8. Bin Heldenleben -- |t 9. Death and the maiden -- |t 10. Divertimento -- |t 11. Four-part fugue -- |t 12. Encore -- |t Appendix: Discourse and its choices -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Roger Kuin's Chamber Music is a playfully written, imaginative, and ultimately demanding book, with a critical approach characterized by an unusual and indiosynchratic post-modern critical style that will challenge the reader's perceptions of what a book of criticism should and can do.Analysing the sonnet sequences of Sidney, Spenser, and Shakespeare both from an interpretive angle and from the perspective of a post-modern re-evaluation of the Renaissance sonnets, Roger Kuin's discussion is influenced by many modern literary critics, including Roland Barthes and Umberto Eco. Kuin focuses on the problems inherent in the form of the sonnet sequence, emphasizing the various forms of indeterminacy central to their meaning. His sense of the intertextual relationship among the major English sequences is subtle, and in places, strikingly original, in combination with a highly sophisticated understanding of theory. Chamber Music is a book that will infuriate many, but ultimately reward those who flow with its idiosyncratic style towards Roger Kuin's admirable and expert conclusions. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 0 | |a English poetry |y Early modern, 1500-1700 |x History and criticism. | |
650 | 0 | |a Sonnets, English |x History and criticism. | |
650 | 7 | |a LITERARY CRITICISM / Poetry. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Toronto Press eBook-Package Archive 1933-1999 |z 9783110490947 |
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856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781442672826 |z Texto completo |
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