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Affecting Grace : Literature from Lessing to Kleist /
Affecting Grace examines the importance of Shakespeare's poetry and plays within German literature and thought after 1750 - including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
[2017]
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| Colección: | German and European Studies
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Calhoon, Kenneth C., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Affecting Grace : |b Literature from Lessing to Kleist / |c Kenneth C. Calhoon. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2017] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (296 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Illustrations -- |t Acknowledgments -- |t Introduction -- |t Chapter One. Mercy and the Spirit of Commerce: Shylock's Shadow in the Age of Disinterest -- |t Chapter Two. Judging Adam: Theatre and the Fall into History -- |t Chapter Three. The Virtue of Things: Meissen Porcelain and the Classical Object -- |t Chapter Four. Poison and the Language of Praise: From Hamlet to Miss Sara Sampson -- |t Chapter Five. Architectural Fantasies: Bellotto in Dresden, Goethe in Strasbourg -- |t Chapter Six. Sovereign Innocence: Schiller's "Walk" and the Naive Spectator -- |t Chapter Seven. Caught in the Act: The Comedic Miscarriage of Kleist's Broken Jug -- |t Epilogue -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Affecting Grace examines the importance of Shakespeare's poetry and plays within German literature and thought after 1750 - including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop that includes a number of canonical German authors - Goethe, Schiller, Herder, Lessing, von Kleist, and Nietzsche - as well as the advent of Meissen porcelain, the painting of Bernardo Bellotto and Francesco Guardi, and aspects of German styles of architecture.Extending from Shakespeare's The Merchant of Venice (c. 1597) to Kleist's The Broken Jug (1806), this study turns on the paradox that the German literary world had begun to embrace Shakespeare just as it was firming up the broad but pronounced anti-Baroque sensibility found pivotally in Lessing's critical and dramatic works. Through these investigations, Calhoon illuminates the deep cultural changes that fundamentally affected Germany's literary and artistic traditions. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
| 650 | 4 | |a DISCOUNT-B. | |
| 650 | 7 | |a LITERARY CRITICISM / European / German. |2 bisacsh | |
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| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781442664159 |z Texto completo |
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