Heirs to Dionysus : A Nietzschean Current in Literary Modernism /
Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton, NJ :
Princeton University Press,
[2017]
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Colección: | Princeton Legacy Library ;
5154 |
Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Foster, John Burt, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Heirs to Dionysus : |b A Nietzschean Current in Literary Modernism / |c John Burt Foster. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2017] | |
264 | 4 | |c ©1982 | |
300 | |a 1 online resource (490 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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490 | 0 | |a Princeton Legacy Library ; |v 5154 | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Note on Translation, Annotation, and Abbreviation -- |t Introduction -- |t I. Influence as Transformation, Nietzsche as Influence -- |t II. Nietzsche's Legacy to the Modernists -- |t III. From Nietzsche to the Savage God: An Early -- |t IV. Holding Forth against Nietzsche: D. H. Lawrence's Novels from Women in Love to The Plumed Serpent -- |t V. Preceded by Nietzsche's Madness: Andre Malraux as a Novelist in Man's Fate and The Walnut Trees of the Altenburg -- |t VI. Enter the Devil: Nietzsche's Presence in Doctor Faustus -- |t Conclusion -- |t Chronology of Works, Writers, and Events -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
650 | 0 | |a Literature, Modern |y 20th century |x History and criticism. | |
650 | 0 | |a Modernism (Literature). | |
650 | 0 | |a Philosophy in literature. | |
650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory. |2 bisacsh | |
653 | |a Aestheticism. | ||
653 | |a Allusion. | ||
653 | |a Anguish. | ||
653 | |a Antithesis. | ||
653 | |a Apathy. | ||
653 | |a Aphorism. | ||
653 | |a Apollonian and Dionysian. | ||
653 | |a Art for art's sake. | ||
653 | |a Arthur Schopenhauer. | ||
653 | |a Beyond Good and Evil. | ||
653 | |a Black rage (law). | ||
653 | |a Career. | ||
653 | |a Catharsis. | ||
653 | |a Consciousness. | ||
653 | |a Criticism. | ||
653 | |a Critique. | ||
653 | |a Cultural Bolshevism. | ||
653 | |a D. H. Lawrence. | ||
653 | |a Death in Venice. | ||
653 | |a Decadence. | ||
653 | |a Dionysus. | ||
653 | |a Disenchantment. | ||
653 | |a Disgust. | ||
653 | |a Distrust. | ||
653 | |a Doctor Faustus (novel). | ||
653 | |a Doctor Faustus (play). | ||
653 | |a E. M. Forster. | ||
653 | |a Epigram. | ||
653 | |a Existence. | ||
653 | |a Existentialism. | ||
653 | |a Faust. | ||
653 | |a Friedrich Nietzsche. | ||
653 | |a Geoffrey Hartman. | ||
653 | |a Gesta Romanorum. | ||
653 | |a God is dead. | ||
653 | |a Good and evil. | ||
653 | |a Hans Vaihinger. | ||
653 | |a Henri Bergson. | ||
653 | |a Iconoclasm. | ||
653 | |a Imagery. | ||
653 | |a Irony. | ||
653 | |a Jacques Derrida. | ||
653 | |a Jude the Obscure. | ||
653 | |a Karl Jaspers. | ||
653 | |a Last man. | ||
653 | |a Literary modernism. | ||
653 | |a Literature. | ||
653 | |a Man's Fate. | ||
653 | |a Master-slave morality. | ||
653 | |a Mephistopheles. | ||
653 | |a Modernism. | ||
653 | |a Morality. | ||
653 | |a Necessitarianism. | ||
653 | |a New Thought. | ||
653 | |a Nietzschean affirmation. | ||
653 | |a Nihilism. | ||
653 | |a On the Aesthetic Education of Man. | ||
653 | |a On the Genealogy of Morality. | ||
653 | |a Out of Revolution. | ||
653 | |a Paradox. | ||
653 | |a Parody. | ||
653 | |a Philosopher. | ||
653 | |a Philosophy of Friedrich Nietzsche. | ||
653 | |a Philosophy. | ||
653 | |a Picaresque novel. | ||
653 | |a Pity. | ||
653 | |a Polemic. | ||
653 | |a Posthumanism. | ||
653 | |a Psychoanalysis. | ||
653 | |a Psychology. | ||
653 | |a Rainer Maria Rilke. | ||
653 | |a Religion. | ||
653 | |a Ressentiment. | ||
653 | |a Result. | ||
653 | |a Robert Musil. | ||
653 | |a Romanticism. | ||
653 | |a Scientism. | ||
653 | |a Self-denial. | ||
653 | |a Self-fulfillment. | ||
653 | |a Superiority (short story). | ||
653 | |a Søren Kierkegaard. | ||
653 | |a The Birth of Tragedy. | ||
653 | |a The Case of Wagner. | ||
653 | |a The Counterfeiters (novel). | ||
653 | |a The Cult of the Self. | ||
653 | |a The Four Great Errors. | ||
653 | |a The Goths. | ||
653 | |a The Philosopher. | ||
653 | |a The Work of Art in the Age of Mechanical Reproduction. | ||
653 | |a Theodor W. Adorno. | ||
653 | |a Thought. | ||
653 | |a Thus Spoke Zarathustra. | ||
653 | |a Tragedy. | ||
653 | |a Twilight of the Idols. | ||
653 | |a Utilitarianism. | ||
653 | |a Will to power. | ||
653 | |a Women in Love. | ||
653 | |a Word and Object. | ||
653 | |a Writer. | ||
653 | |a Writing. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Archive 1927-1999 |z 9783110442496 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9781400886128 |z Texto completo |
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