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Unsung Voices : Opera and Musical Narrative in the Nineteenth Century /

Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century m...

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Detalles Bibliográficos
Autor principal: Abbate, Carolyn (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, NJ : Princeton University Press, [1996]
Colección:Princeton Studies in Opera ; 1
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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490 0 |a Princeton Studies in Opera ;  |v 1 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t Preface --   |t Chapter One. Music's Voices --   |t Chapter Two. What the Sorcerer Said --   |t Chapter Three. Cherubino Uncovered: Reflexivity in Operatic Narration --   |t Chapter Four. Mahler's Deafness: Opera and the Scene of Narration in Todtenfeier --   |t Chapter Five. Wotan's Monologue and the Morality of Musical Narration --   |t Chapter Six. Brünnhilde Walks by Night --   |t Notes --   |t Bibliography --   |t Index 
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520 |a Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. 
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