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Unsung Voices : Opera and Musical Narrative in the Nineteenth Century /
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century m...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, NJ :
Princeton University Press,
[1996]
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| Colección: | Princeton Studies in Opera ;
1 |
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
| Sumario: | Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. |
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| Descripción Física: | 1 online resource (304 p.) : 88 pp music |
| ISBN: | 9781400843831 9783110442496 |
| Acceso: | restricted access |