Academic Instincts /
In this lively and provocative book, cultural critic Marjorie Garber, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. Academic Instincts discusses three of the perennial issues that have surfaced...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton, NJ :
Princeton University Press,
[2009]
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Edición: | Course Book |
Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Garber, Marjorie, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Academic Instincts / |c Marjorie Garber. |
250 | |a Course Book | ||
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2009] | |
264 | 4 | |c ©2000 | |
300 | |a 1 online resource (200 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t 1. The Amateur Professional and the Professional Amateur -- |t 2. Discipline Envy -- |t 3. Terms of Art -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a In this lively and provocative book, cultural critic Marjorie Garber, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. Academic Instincts discusses three of the perennial issues that have surfaced in recent debates about the humanities: the relation between "amateurs" and "professionals," the relation between one academic discipline and another, and the relation between "jargon" and "plain language." Rather than merely taking sides, the book explores the ways in which such debates are essential to intellectual life. Garber argues that the very things deplored or defended in discussions of the humanities cannot be either eliminated or endorsed because the discussion itself is what gives humanistic thought its vitality. Written in spirited and vivid prose, and full of telling detail drawn both from the history of scholarship and from the daily press, Academic Instincts is a book by a well-known Shakespeare scholar and prize-winning teacher who offers analysis rather than polemic to explain why today's teachers and scholars are at once breaking new ground and treading familiar paths. It opens the door to an important nationwide and worldwide conversation about the reorganization of knowledge and the categories in and through which we teach the humanities. And it does so in a spirit both generous and optimistic about the present and the future of these disciplines. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory. |2 bisacsh | |
653 | |a Adjective. | ||
653 | |a Aestheticism. | ||
653 | |a Alan Sokal. | ||
653 | |a Alfred Kazin. | ||
653 | |a Amateur professionalism. | ||
653 | |a Amateur. | ||
653 | |a American studies. | ||
653 | |a Anti-intellectualism. | ||
653 | |a Aphorism. | ||
653 | |a Art history. | ||
653 | |a Author. | ||
653 | |a Book review. | ||
653 | |a C. P. Snow. | ||
653 | |a C. S. Lewis. | ||
653 | |a Columnist. | ||
653 | |a Counterintuitive. | ||
653 | |a Critical theory. | ||
653 | |a Criticism. | ||
653 | |a Cultural studies. | ||
653 | |a Culture war. | ||
653 | |a Deconstruction. | ||
653 | |a Doublespeak. | ||
653 | |a Edward Said. | ||
653 | |a Essay. | ||
653 | |a Fashionable Nonsense. | ||
653 | |a Genre. | ||
653 | |a George Orwell. | ||
653 | |a Gertrude Stein. | ||
653 | |a Harvard University. | ||
653 | |a Headline. | ||
653 | |a Humanities. | ||
653 | |a Idealization. | ||
653 | |a Ideology. | ||
653 | |a Intellectual. | ||
653 | |a Interdisciplinarity. | ||
653 | |a Irony. | ||
653 | |a Jacques Derrida. | ||
653 | |a Jacques Lacan. | ||
653 | |a James Gleick. | ||
653 | |a Jargon. | ||
653 | |a Jewish studies. | ||
653 | |a Jonathan Swift. | ||
653 | |a Joseph Addison. | ||
653 | |a Judith Butler. | ||
653 | |a Liberal arts education. | ||
653 | |a Literary criticism. | ||
653 | |a Literary theory. | ||
653 | |a Literature. | ||
653 | |a Mario Pei. | ||
653 | |a Minima Moralia. | ||
653 | |a Modern Language Association. | ||
653 | |a Mr. | ||
653 | |a Neologism. | ||
653 | |a New Criticism. | ||
653 | |a Newspeak. | ||
653 | |a Novelist. | ||
653 | |a Oxford University Press. | ||
653 | |a Penis envy. | ||
653 | |a Philosopher. | ||
653 | |a Philosophy. | ||
653 | |a Phrase. | ||
653 | |a Physicist. | ||
653 | |a Poetry. | ||
653 | |a Political correctness. | ||
653 | |a Politician. | ||
653 | |a Post-structuralism. | ||
653 | |a Postmodernism. | ||
653 | |a Prince Hal. | ||
653 | |a Psychoanalysis. | ||
653 | |a Psychology. | ||
653 | |a Rhetoric. | ||
653 | |a Richard Feynman. | ||
653 | |a Robert Maynard Hutchins. | ||
653 | |a Roland Barthes. | ||
653 | |a Romanticism. | ||
653 | |a Science. | ||
653 | |a Scientist. | ||
653 | |a Sigmund Freud. | ||
653 | |a Slang. | ||
653 | |a Social science. | ||
653 | |a Sociology. | ||
653 | |a Sokal affair. | ||
653 | |a Sophistication. | ||
653 | |a Stanley Fish. | ||
653 | |a Terminology. | ||
653 | |a The New York Times. | ||
653 | |a The Philosopher. | ||
653 | |a The School of Athens. | ||
653 | |a The Two Cultures. | ||
653 | |a Theodor W. Adorno. | ||
653 | |a Theory. | ||
653 | |a Thought. | ||
653 | |a Usage. | ||
653 | |a Verb. | ||
653 | |a Vocabulary. | ||
653 | |a Wendy Lesser. | ||
653 | |a Wilhelm Dilthey. | ||
653 | |a William Shakespeare. | ||
653 | |a Writer. | ||
653 | |a Writing. | ||
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