Nabokov's Art of Memory and European Modernism /

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Despite Vladimir Nabokov's hostility toward literary labels, he clearly recognized his own place in cultural history. In a fresh approach stressing Nabokov's European context, John Foster shows how this writer's art of memory intersects with early twentieth-century modernism. Tracing...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Foster, John Burt (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, NJ : Princeton University Press, [1993]
Edición:Core Textbook
Temas:
Autobiographical memory in literature.
European literature > History and criticism.
Modernism (Literature) > Europe.
LITERARY CRITICISM / Russian & Former Soviet Union.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • CONTENTS
  • PREFACE AND ACKNOWLEDGMENTS
  • NOTE ON CITATIONS
  • Part One: Points of Departure
  • CHAPTER 1. The European Nabokov, the Modernist Moment, and Cultural Biography
  • CHAPTER 2. The Self-Defined Origins of an Artist of Memory
  • CHAPTER 3. The Rejection of Anticipatory Memory
  • Part Two: Toward France
  • CHAPTER 4. Encountering French Modernism
  • CHAPTER 5. From the Personal to the Intertextual
  • CHAPTER 6. Narrative between Art and Memory
  • CHAPTER 7. Memory, Modernism, and the Fictive Autobiographies
  • Part Three: In English
  • CHAPTER 8. Cultural Mobility and British Modernism
  • CHAPTER 9. Autobiographical Images
  • CHAPTER 10. The Cultural Self-Consciousness of Speak, Memory
  • EPILOGUE: Proust over T. S. Eliot in Pale Fire (1962)
  • NOTES
  • INDEX

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