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Thomas Eakins : The Heroism of Modern Life /
Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centurie...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, NJ :
Princeton University Press,
[1991]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 024 | 7 | |a 10.1515/9781400820252 |2 doi | |
| 035 | |a (DE-B1597)528122 | ||
| 035 | |a (OCoLC)1129187287 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a nju |c US-NJ | ||
| 050 | 4 | |a ND237.E15 J64 1991 | |
| 072 | 7 | |a ART016000 |2 bisacsh | |
| 082 | 0 | 4 | |a 759.13 |
| 100 | 1 | |a Johns, Elizabeth, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Thomas Eakins : |b The Heroism of Modern Life / |c Elizabeth Johns. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [1991] | |
| 264 | 4 | |c ©1984 | |
| 300 | |a 1 online resource (328 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustration -- |t Dimensions of Eakins' Works -- |t Acknowledgments -- |t Preface -- |t Thomas Eakins - The Heroism of Modern Life -- |t Chapter One. Eakins, Modern Life, and the Portrait -- |t Chapter Two. Max Schmitt in a Single Scull, or The Champion single Sculls -- |t Chapter Three. The Gross Clinic, or Portrait of Professor Gross -- |t Chapter Four. William Rush Craving His Allegorical Figure of the Schuylkill River -- |t Chapter Five. The Concert Singer -- |t Chapter Six. Walt Whitman -- |t bibliographic Essay -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | |a Painting |x Psychological aspects. | |
| 650 | 7 | |a ART / Individual Artists / General. |2 bisacsh | |
| 653 | |a Alexander Stirling Calder. | ||
| 653 | |a Anders Zorn. | ||
| 653 | |a Anthony van Dyck. | ||
| 653 | |a Archives of American Art. | ||
| 653 | |a Beaumont Newhall. | ||
| 653 | |a Beautiful Song. | ||
| 653 | |a Brandywine River Museum. | ||
| 653 | |a Bureau of American Ethnology. | ||
| 653 | |a Carl Zigrosser. | ||
| 653 | |a Cecilia Beaux. | ||
| 653 | |a Century Association. | ||
| 653 | |a Charles Baudelaire. | ||
| 653 | |a Charles Willson Peale. | ||
| 653 | |a College Art Association. | ||
| 653 | |a College of Physicians of Philadelphia. | ||
| 653 | |a Counter-Reformation. | ||
| 653 | |a Culture and Society. | ||
| 653 | |a Currier and Ives. | ||
| 653 | |a Daguerreotype. | ||
| 653 | |a Documenta. | ||
| 653 | |a Dover Publications. | ||
| 653 | |a Edmund Clarence Stedman. | ||
| 653 | |a Edwin Austin Abbey. | ||
| 653 | |a F. O. Matthiessen. | ||
| 653 | |a Fairmount Water Works. | ||
| 653 | |a Fine art. | ||
| 653 | |a Frederick Gutekunst. | ||
| 653 | |a G. (novel). | ||
| 653 | |a Gilbert Stuart. | ||
| 653 | |a Giovanni Boldini. | ||
| 653 | |a Grand manner. | ||
| 653 | |a Guillaume Dupuytren. | ||
| 653 | |a Gustave Courbet. | ||
| 653 | |a Harper's Weekly. | ||
| 653 | |a Henri Fantin-Latour. | ||
| 653 | |a His Family. | ||
| 653 | |a Illustration. | ||
| 653 | |a Impressionism. | ||
| 653 | |a Israel in Egypt. | ||
| 653 | |a Jack Kevorkian. | ||
| 653 | |a James Abbott McNeill Whistler. | ||
| 653 | |a James Laver. | ||
| 653 | |a James Tissot. | ||
| 653 | |a John F. Peto. | ||
| 653 | |a John Ferguson Weir. | ||
| 653 | |a John Neagle. | ||
| 653 | |a John Singer Sargent. | ||
| 653 | |a Leonardo da Vinci. | ||
| 653 | |a Linda Nochlin. | ||
| 653 | |a Mathew Brady. | ||
| 653 | |a Metropolitan Museum of Art. | ||
| 653 | |a Mr. John. | ||
| 653 | |a Mrs. | ||
| 653 | |a Museo del Prado. | ||
| 653 | |a Napoleon Sarony. | ||
| 653 | |a National Gallery of Art. | ||
| 653 | |a Nelson-Atkins Museum of Art. | ||
| 653 | |a New Poems. | ||
| 653 | |a New York Graphic. | ||
| 653 | |a Oratorio. | ||
| 653 | |a Pathology. | ||
| 653 | |a Pennsylvania Academy of the Fine Arts. | ||
| 653 | |a Philadelphia Museum of Art. | ||
| 653 | |a Physician. | ||
| 653 | |a Picturesque. | ||
| 653 | |a Poetry. | ||
| 653 | |a Pompeo Batoni. | ||
| 653 | |a Potboiler. | ||
| 653 | |a Ralph Waldo Emerson. | ||
| 653 | |a Rembrandt Peale. | ||
| 653 | |a S. Weir Mitchell. | ||
| 653 | |a Sadakichi Hartmann. | ||
| 653 | |a Samuel Murray. | ||
| 653 | |a Self-Made Man (book). | ||
| 653 | |a Smithsonian Institution. | ||
| 653 | |a Stanley Sadie. | ||
| 653 | |a The Agnew Clinic. | ||
| 653 | |a The Concert Singer. | ||
| 653 | |a The Gross Clinic. | ||
| 653 | |a The Other Hand. | ||
| 653 | |a The Phillips Collection. | ||
| 653 | |a The Physician. | ||
| 653 | |a The Realist. | ||
| 653 | |a The Three Ages of Man (Titian). | ||
| 653 | |a Thomas Bond (physician). | ||
| 653 | |a Thomas Carlyle. | ||
| 653 | |a Thomas Couture. | ||
| 653 | |a Thomas Eakins. | ||
| 653 | |a Thomas Sully. | ||
| 653 | |a Union League of Philadelphia. | ||
| 653 | |a V. | ||
| 653 | |a Visual art of the United States. | ||
| 653 | |a Whitney Museum of American Art. | ||
| 653 | |a William Harnett. | ||
| 653 | |a William Merritt Chase. | ||
| 653 | |a William Rush and His Model. | ||
| 653 | |a William Rush. | ||
| 653 | |a William Sidney Mount. | ||
| 653 | |a William-Adolphe Bouguereau. | ||
| 653 | |a Wood engraving. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Archive 1927-1999 |z 9783110442496 |
| 776 | 0 | |c print |z 9780691002880 | |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9781400820252?locatt=mode:legacy |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9781400820252 |z Texto completo |
| 912 | |a 978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999 |c 1927 |d 1999 | ||
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