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Plotting the Prince : Shotoku Cults and the Mapping of Medieval Japanese Buddhism /

Plotting the Prince traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?-622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult...

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Detalles Bibliográficos
Autor principal: Carr, Kevin Gray (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu : University of Hawaii Press, [2012]
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 0 |a Plotting the Prince :  |b Shotoku Cults and the Mapping of Medieval Japanese Buddhism /  |c Kevin Gray Carr. 
264 1 |a Honolulu :   |b University of Hawaii Press,   |c [2012] 
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300 |a 1 online resource (256 p.) :  |b 72 illus., 32 in color 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Acknowledgments --   |t Conventions --   |t Introduction: The Lay of the Land --   |t Part I. Faces of Shōtoku: Cultic Identities through Time --   |t Part II. Mapping Shōtoku's Tale: Cultic Identities in Place --   |t Epilogue: Afterlives --   |t Appendix: List of Selected Events in the Life of the Legendary Shōtoku --   |t Notes --   |t Bibliography --   |t Index --   |t About the Author 
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520 |a Plotting the Prince traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?-622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Shōtoku was, but also how images of his life served the needs of devotees in early medieval Japan.Even today Shōtoku evokes images of a half-real, half-mythical figure who embodied the highest political, social, and religious ideals. Taking up his story about four centuries after his death, this study traces the genesis and progression of Shōtoku's sacred personas in art to illustrate their connection to major religious centers such as Shitenno-ji and Hōryū-ji. It argues that mapping and storytelling are sister acts-both structuring the world in subtle but compelling ways-that combined in visual narratives of Shōtoku's life to shape conceptions of religious legitimacy, communal history, and sacred geography.Plotting the Prince introduces much new material and presents provocative interpretations that call upon art historians to rethink fundamental conceptions of narrative and cultic imagery. It offers social and political historians a textured look at the creation of communal identities on both local and state levels, scholars of religion a substantially new way of understanding key developments in doctrine and practice, and those studying the past in general a clear instance of visual hagiography taking precedence over the textual tradition. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Buddhism  |z Japan  |x History  |y To 1185. 
650 0 |a Buddhist hagiography  |z Japan. 
650 7 |a HISTORY / Asia / Japan.  |2 bisacsh 
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