Drawing Boundaries : Architectural Images in Qing China /
Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illu...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Honolulu :
University of Hawaii Press,
[2004]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Chung, Anita, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Drawing Boundaries : |b Architectural Images in Qing China / |c Anita Chung. |
264 | 1 | |a Honolulu : |b University of Hawaii Press, |c [2004] | |
264 | 4 | |c ©2004 | |
300 | |a 1 online resource (230 p.) : |b color & b/w illus. | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t The Jiehua Tradition -- |t Patrons and Painters -- |t The Qing Imperial Domains Court Representations I -- |t The Idealized Scheme Court Representations II -- |t Moving Gardens Yangzhou Representations I -- |t Transmitting History And Myth Yangzhou Respresentations II -- |t Conclusion -- |t Notes -- |t Glossary -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of "being there," a characteristic, she argues, that underscores the Qing concern for the substance of things-a sensibility toward the physical world characteristic of the period and emblematic of a new worldview. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
650 | 7 | |a ART / Reference. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Asian Studies Backlist (2000-2014) eBook Package |z 9783110649772 |
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773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Hawaii Press eBook-Package Backlist 2000-2015 |z 9783110663259 |
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