From Fu Manchu to Kung Fu Panda : Images of China in American Film /
Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China's changing role in the American...
Clasificación: | Libro Electrónico |
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Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Honolulu :
University of Hawaii Press,
[2014]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Greene, Naomi, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a From Fu Manchu to Kung Fu Panda : |b Images of China in American Film / |c Naomi Greene; ed. by Sheldon Hsiao-peng Lu. |
264 | 1 | |a Honolulu : |b University of Hawaii Press, |c [2014] | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource (288 p.) : |b 31 illustrations | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t 1. The Pendulum Swings . . . And Swings Again -- |t 2. East Meets West: Cultural Collisions and Marks of Difference -- |t 3. Questions of Otherness: From Opium Pipes to Apple Pie -- |t 4. The Cold War in Three Acts -- |t 5. The World Splits in Two -- |t 6. Challenges and Continuities -- |t Afterword: The Darkening Mirror -- |t Notes -- |t Bibliography -- |t Index -- |t About the Author |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China's changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of intense and conflicting impulses that have surrounded China. They make clear that China has often served as the very embodiment of "otherness"-a kind of yardstick or cloudy mirror of America itself. It is a mirror that reflects not only how Americans see the racial "other" but also a larger landscape of racial, sexual, and political perceptions that touch on the ways in which the nation envisions itself and its role in the world. In the United States, the exceptional emotional charge that imbues images of China has tended to swing violently from positive to negative and back again: China has been loved and-as is generally the case today-feared. Using film to trace these dramatic fluctuations, author Naomi Greene relates them to the larger arc of historical and political change. Suggesting that filmic images both reflect and fuel broader social and cultural impulses, she argues that they reveal a constant tension or dialectic between the "self" and the "other." Significantly, with the important exception of films made by Chinese or Chinese American directors, the Chinese other is almost invariably portrayed in terms of the American self. Placed in a broader context, this ethnocentrism is related both to an ever-present sense of American exceptionalism and to a Manichean world view that perceives other countries as friends or enemies. Greene analyzes a series of influential films, including classics like Shanghai Express (1932), The Bitter Tea of General Yen (1933), The Good Earth (1936), and Shanghai Gesture (1941); important cold war films such as The Manchurian Candidate (1962) and The Sand Pebbles (1966); and a range of contemporary films, including Chan is Missing (1982), The Wedding Banquet (1993), Kundun (1997), Mulan (1998), and Shanghai Noon (2000). Her consideration makes clear that while many stereotypes and racist images of the past have been largely banished from the screen, the political, cultural, and social impulses they embodied are still alive and well. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Motion pictures |z United States |x History. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
700 | 1 | |a Lu, Sheldon Hsiao-peng, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Asian Studies Backlist (2000-2014) eBook Package |z 9783110649772 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t UHP eBook Package 2014-2016 |z 9783110564136 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Hawaii Press Complete eBook-Package 2014-2015 |z 9783110752366 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780824838379 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780824838379 |z Texto completo |
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