Charms that Soothe : Classical Music and the Narrative Film /

From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and...

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Detalles Bibliográficos
Autor principal: Duncan, Dean (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Fordham University Press, [2022]
Colección:Communications and Media Studies
Temas:
MUSIC / Genres & Styles / Classical.
Acceso en línea:Texto completo
Texto completo

MARC

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505 0 0 |t Frontmatter --   |t CONTENTS --   |t ACKNOWLEDGMENTS --   |t Introduction --   |t 1 Interdiscipline and the Place of Classical Music in Film Studies --   |t 2 Film Music and the Musical Community --   |t 3 Sound Montage and Counterpoint Analogies --   |t 4 Narration, Program, and Narrative --   |t 5 Interpreting Classical Music in Film --   |t 6 Summary, Conclusions, and Implications --   |t BIBLIOGRAPHY --   |t INDEX 
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520 |a From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors "e themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
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