People Get Ready : The Future of Jazz Is Now! /

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In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s...

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Detalles Bibliográficos
Otros Autores: Barzel, Tamar (Contribuidor), Brackett, John (Contribuidor), Dawn Smith, Julie (Contribuidor), Don Moye, Famoudou (Contribuidor), Ewart, Douglas (Contribuidor), Heble, Ajay (Contribuidor, Editor ), Iyer, Vijay (Contribuidor), Lynn Nielsen, Aldon (Contribuidor), McMullen, Tracy (Contribuidor), Miller, Paul D. (Contribuidor), Mitchell, Nicole (Contribuidor), Mitchell, Roscoe (Contribuidor), Porter, Eric (Contribuidor), Ribot, Marc (Contribuidor), Roberts, Matana (Contribuidor), Shahid, Jaribu (Contribuidor), Smith, Wadada Leo (Contribuidor), Stanbridge, Alan (Contribuidor), Szwed, John (Contribuidor), Tate, Greg (Contribuidor), Thomson, Scott (Contribuidor), Wallace, Rob (Contribuidor, Editor ), Waterman, Ellen (Contribuidor), Wilkes, Corey (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2013]
Colección:Improvisation, community, and social practice : 45
Temas:
Improvisation (Music).
Jazz > History and criticism.
MUSIC / Genres & Styles / Jazz.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction "People Get Ready": The Future of Jazz Is Now!
  • Part I. Beyond Categories: Histories and Mysteries
  • Chapter 1. "Now Is the Time": Voicing against the Grain of Orality
  • Chapter 2. The Antiquity of the Avant-Garde: A Meditation on a Comment by Duke Ellington
  • Chapter 3. Listening Trust: The Everyday Politics of George Lewis's "Dream Team"
  • Chapter 4. Jeanne Lee's Voice
  • Chapter 5. Kick Out the Jazz!
  • Part II . Crisis in New Music? Vanishing Venues and the Future of Experimentalism
  • Chapter 6. Days of Bread and Roses
  • Chapter 7. Subsidy, Advocacy, Theory: Experimental Music in the Academy, in New York City, and Beyond
  • Chapter 8. Subsidizing the Experimental Muse: Rereading Ribot
  • Chapter 9. One Musician Writes about Creative-Music Venues in Toronto
  • Chapter 10. Somewhere There: Contemporary Music, Performance Spaces, and Cultural Policy
  • Part III. Sound Check: The Jazz Photography of Thomas King
  • Part IV. Get Ready: Jazz Futures
  • Chapter 11. Black Jazz in the Digital Age
  • Chapter 12. Improvising Digital Culture
  • Chapter 13. Ancient to the Future: Celebrating Forty Years of the AACM
  • Chapter 14. People, Don't Get Ready: Improvisation, Democracy, and Hope
  • Works Cited
  • Contributors
  • Index

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