Cargando…
Entanglements, or Transmedial Thinking about Capture /
How might the pornographic be associated with Brecht's and Benjamin's media theories? How are Foucault's and Deleuze's writings on visibilities "postcolonial"? What happens when Rancière's discussions of art are juxtaposed with cultural anthropology? What does a st...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2012]
|
| Colección: | A John Hope Franklin Center Book : 32
|
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780822395263 | ||
| 003 | DE-B1597 | ||
| 005 | 20220302035458.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220302t20122012ncu fo d z eng d | ||
| 020 | |a 9780822395263 | ||
| 024 | 7 | |a 10.1515/9780822395263 |2 doi | |
| 035 | |a (DE-B1597)554617 | ||
| 035 | |a (OCoLC)1125533513 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a ncu |c US-NC | ||
| 050 | 4 | |a GN357 | |
| 072 | 7 | |a LIT006000 |2 bisacsh | |
| 082 | 0 | 4 | |a 306 |
| 100 | 1 | |a Chow, Rey, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Entanglements, or Transmedial Thinking about Capture / |c Rey Chow. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (208 p.) : |b 4 photographs | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a A John Hope Franklin Center Book : 32 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Note on Translations -- |t Acknowledgments -- |t Introduction -- |t 1. When Reflexivity Becomes Porn: Mutations of a Modernist Theoretical Practice -- |t 2. On Captivation: A Remainder from the "Indistinction of Art and Nonart" (written with Julian Rohrhuber) -- |t 3. Fateful Attachments: On Collecting, Fidelity, and Lao She -- |t 4. Sacrifice, Mimesis, and the Theorizing of Victimhood -- |t 5. "I insist on the Christian dimension": On Forgiveness . . . and the Outside of the Human -- |t 6. American Studies in Japan, Japan in American Studies: Challenges of the Heterolingual Address -- |t 7. Postcolonial Visibilities: Questions Inspired by Deleuze's Method -- |t 8. Framing the Original: Toward a New Visibility of the Orient -- |t Postscript. Intimations from a Scene of Capture -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a How might the pornographic be associated with Brecht's and Benjamin's media theories? How are Foucault's and Deleuze's writings on visibilities "postcolonial"? What happens when Rancière's discussions of art are juxtaposed with cultural anthropology? What does a story by Lao She about collecting reveal about political collectivism in modern China? How does Girard's notion of mimetic violence speak to identity politics? How might Arendt's and Derrida's reflections on forgiveness be supplemented by a film by Lee Chang-dong? What can Akira Kurosawa's films about Japan say about American Studies? How is Asia framed transnationally, with what consequences for those who self-identify as Asian?These questions are dispersively heterologous yet mutually implicated. This paradoxical character of their discursive relations is what Rey Chow intends with the word "entanglements," by which she means, first, an enmeshment of topics: the mediatized image in modernist reflexivity; captivation and identification; victimhood; the place of East Asia in globalized Western academic study. Beyond enmeshment, she asks, can entanglements be phenomena that are not defined by affinity or proximity? Might entanglements be about partition and disparity rather than about conjunction and similarity?Across medial forms (including theater, film, narrative, digitization, and photographic art), and against more popular trends of declaring things and people to be in flux, Chow proposes conceptual frames that foreground instead aesthetic, ontological, and sentient experiences of force, dominance, submission, fidelity, antagonism, masochism, letting-go, and the attraction to self-annihilation. Boundary, trap, capture, captivation, sacrifice, and mimesis: these riveting terms serve as analytic pressure points in her readings, articulating perversity, madness, and terror to pursuits of freedom. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Aesthetics. | |
| 650 | 0 | |a Culture. | |
| 650 | 0 | |a Humanities. | |
| 650 | 0 | |a Mass media. | |
| 650 | 0 | |a Postcolonialism |x Philosophy. | |
| 650 | 0 | |a Psychology and literature. | |
| 650 | 0 | |a Violence. | |
| 650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Duke University Press Backlist eBook-Package 2000-2013 |z 9783110711837 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780822395263 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822395263 |z Texto completo |
| 912 | |a 978-3-11-071183-7 Duke University Press Backlist eBook-Package 2000-2013 |c 2000 |d 2013 | ||
| 912 | |a EBA_DUK_ALL | ||
| 912 | |a EBA_DUK_EALL | ||
| 912 | |a EBA_DUK_SSHALL | ||
| 912 | |a GBV-deGruyter-alles | ||