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The Oriental Obscene : Violence and Racial Fantasies in the Vietnam Era /

The Oriental Obscene is a sophisticated analysis of Americans' reactions to visual representations of the Vietnam War, such as the photograph of the "napalm girl," news footage of the Tet Offensive, and feature films from The Deer Hunter to Rambo: First Blood Part II. Sylvia Shin Huey...

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Detalles Bibliográficos
Autor principal: Chong, Sylvia Shin Huey (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2011]
Temas:
Acceso en línea:Texto completo
Texto completo

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100 1 |a Chong, Sylvia Shin Huey,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Oriental Obscene :  |b Violence and Racial Fantasies in the Vietnam Era /  |c Sylvia Shin Huey Chong. 
264 1 |a Durham :   |b Duke University Press,   |c [2011] 
264 4 |c ©2011 
300 |a 1 online resource (384 p.) :  |b 84 illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Notes on Terminology, Proper Names, and Film Titles --   |t Acknowledgments --   |t Introduction Specters of Vietnam --   |t Chapter 1 Bringing the war home --   |t Chapter 2 Reporting the war --   |t Chapter 3 Restaging the war --   |t Chapter 4 Kung fu fighting --   |t Chapter 5 Being Bruce Lee --   |t Conclusion Returning to 'nam --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The Oriental Obscene is a sophisticated analysis of Americans' reactions to visual representations of the Vietnam War, such as the photograph of the "napalm girl," news footage of the Tet Offensive, and feature films from The Deer Hunter to Rambo: First Blood Part II. Sylvia Shin Huey Chong combines psychoanalytic and film theories with U.S. cultural history to explain what she terms the oriental obscene: racialized fantasies that Americans derived largely from images of Asians as the perpetrators or victims of extreme violence. Chong contends that these fantasies helped Americans to process the trauma of the Vietnam War, as well as the growth of the Asian American population after the Immigration and Nationality Act of 1965 and the postwar immigration of Southeast Asian refugees. The oriental obscene animated a wide range of political narratives, not only the movements for and against the war, but causes as diverse as the Black Power movement, law-and-order conservatism, second-wave feminism, and the nascent Asian American movement. During the Vietnam era, pictures of Asian bodies were used to make sense of race, violence, and America's identity at home and abroad. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Vietnam War, 1961-1975  |x Motion pictures and the war. 
650 0 |a Vietnam War, 1961-1975  |x Television and the war. 
650 0 |a Vietnam War, 1961-1975  |z United States. 
650 0 |a Violence  |z United States  |x History  |y 20th century. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Duke University Press Backlist eBook-Package 2000-2013  |z 9783110711837 
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