Cargando…

Slaves to Fashion : Black Dandyism and the Styling of Black Diasporic Identity /

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Miller, Monica L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2009]
Colección:e-Duke books scholarly collection : 33
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

LEADER 00000nam a22000005i 4500
001 DEGRUYTERUP_9780822391517
003 DE-B1597
005 20220302035458.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20092009ncu fo d z eng d
020 |a 9780822391517 
024 7 |a 10.1515/9780822391517  |2 doi 
035 |a (DE-B1597)553564 
035 |a (OCoLC)1112837560 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a ncu  |c US-NC 
050 4 |a E185.89.F37 ǂb M55 2009 
072 7 |a SOC001000  |2 bisacsh 
082 0 4 |a 305.38/896073 
100 1 |a Miller, Monica L.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Slaves to Fashion :  |b Black Dandyism and the Styling of Black Diasporic Identity /  |c Monica L. Miller. 
264 1 |a Durham :   |b Duke University Press,   |c [2009] 
264 4 |c ©2009 
300 |a 1 online resource (408 p.) :  |b 42 illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a e-Duke books scholarly collection : 33 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction. Stylin' Out --   |t Chapter One. Mungo Macaroni: The Slavish Swell --   |t Chapter Two. Crimes of Fashion: Dressing the Part from Slavery to Freedom --   |t Chapter Three. W. E. B. Du Bois's "Different" Diasporic Race Man --   |t Chapter Four. "Passing Fancies": Dandyism, Harlem Modernism, and the Politics of Visuality --   |t Chapter Five. "You Look Beautiful Like That": Black Dandyism and Visual Histories of Black Cosmopolitanism --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. "Luxury slaves" tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy's signature tools-clothing, gesture, and wit-to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois's reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a African American men  |x Clothing  |x History. 
650 0 |a African American men  |x Race identity. 
650 0 |a Clothing and dress  |z United States. 
650 0 |a Dandyism  |z United States. 
650 0 |a Fashion  |z United States. 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / African American Studies.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Duke University Press Backlist eBook-Package 2000-2013  |z 9783110711837 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9780822391517  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780822391517  |z Texto completo 
912 |a 978-3-11-071183-7 Duke University Press Backlist eBook-Package 2000-2013  |c 2000  |d 2013 
912 |a EBA_DUK_ALL 
912 |a EBA_DUK_EALL 
912 |a EBA_DUK_SSHALL 
912 |a GBV-deGruyter-alles