Cargando…

Listen Again : A Momentary History of Pop Music /

Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Lis...

Descripción completa

Detalles Bibliográficos
Otros Autores: Brackett, David (Contribuidor), Bruno, Franklin (Contribuidor), Carr, Daphne (Contribuidor), Chalfant, Henry (Contribuidor), Chang, Jeff (Contribuidor), Daniel, Drew (Contribuidor), Fink, Robert (Contribuidor), George-Warren, Holly (Contribuidor), Greenlaw, Lavinia (Contribuidor), Hamilton, Marybeth (Contribuidor), King, Jason (Contribuidor), Kun, Josh (Contribuidor), Lhamon Jr., W. T. (Contribuidor), Marcus, Greil (Contribuidor), Matos, Michaelangelo (Contribuidor), Melendez, Benjamin (Contribuidor), Neal, Mark Anthony (Contribuidor), Sublette, Ned (Contribuidor), Thomas, David (Contribuidor), Waksman, Steve (Contribuidor), Weisbard, Eric (Contribuidor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2007]
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

LEADER 00000nam a22000005i 4500
001 DEGRUYTERUP_9780822390558
003 DE-B1597
005 20220302035458.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20072007ncu fo d z eng d
020 |a 9780822390558 
024 7 |a 10.1515/9780822390558  |2 doi 
035 |a (DE-B1597)553298 
035 |a (OCoLC)654394914 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a ncu  |c US-NC 
072 7 |a MUS020000  |2 bisacsh 
082 0 4 |a 781.64  |2 22 
245 0 0 |a Listen Again :  |b A Momentary History of Pop Music /  |c ed. by Eric Weisbard. 
264 1 |a Durham :   |b Duke University Press,   |c [2007] 
264 4 |c ©2007 
300 |a 1 online resource (336 p.) :  |b 13 photographs, 13 illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 0 |t Frontmatter --   |t TABLE OF CONTENTS --   |t Introduction --   |t 1. Whittling on Dynamite: The Difference Bert Williams Makes --   |t 2. Searching for the Blues: James McKune, Collectors, and a Different Crossroads --   |t 3. Abie the Fishman: On Masks, Birthmarks, and Hunchbacks --   |t 4. The Kingsmen and the Cha-Cha-Chá --   |t 5. Ghoulardi: Lessons in Mayhem from the First Age of Punk --   |t 6. Magic Moments, the Ghost of Folk-Rock, and the Ring of E Major --   |t 7. Mystery Girl: The Forgotten Artistry of Bobbie Gentry --   |t 8. ''Is That All There Is?'' and the Uses of Disenchantment --   |t 9. Ghetto Brother Power: The Bronx Gangs, the Beatles, the Aguinaldo, and a Pre-History of Hip-Hop --   |t 10. Grand Funk Live! Staging Rock in the Age of the Arena --   |t 11. The Sound of Velvet Melting: The Power of ''Vibe'' in the Music of Roberta Flack --   |t 12. All Roads Lead to ''Apache'' --   |t 13. On Punk Rock and Not Being a Girl --   |t 14. The Buddy Holocaust Story: A Necromusicology --   |t 15. ORCH5, or the Classical G  |t Frontmatter --   |t The Color of a Nation --   |t Contents --   |t Drawings by Celia Herrera Rodríguez --   |t Prólogo: A Living Codex --   |t Agradecimientos --   |t A Xicana Lexicon --   |t One. Existo Yo --   |t A XicanaDyke Codex of Changing Consciousness / 2000 --   |t From Inside the First World / 2001 on 9/11 and Women- of- Color Feminism --   |t An Irrevocable Promise / 2002 --   |t Two. The Warring Inside --   |t What Is Left of Us --   |t MeXicana Blues --   |t Weapons of the Weak / 2003 --   |t California Dreaming --   |t Cuento Xicano --   |t Indígena as Scribe / 2005 --   |t The Altar of My Undoing --   |t Three. Salt of the Earth --   |t Aguas Sagradas --   |t And It Is All These Things That Are Our Grief --   |t Poetry of Heroism / 2007 --   |t The Salt That Cures / 2009 --   |t Four. The Price of Beans --   |t South Central Farmers --   |t The Other Face of (Im)migration / 2008 --   |t Floricanto --   |t Modern-Day Malinches / 2008 --   |t What's Race Gotta Do With It? / 2008 --   |t This Benighted Nation We Name Home / 2009 --   |t Still Loving in the (Still) War Years / 2009 host in the Hip-Hop Machine --   |t 16. White Chocolate Soul: Teena Marie and Lewis Taylor --   |t 17. Dancing, Democracy, and Kitsch: Poland's Disco Polo --   |t 18. How to Act Like Darby Crash --   |t 19. Death Letters --   |t Acknowledgments --   |t Contributors --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams's use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member's performance as the Germs' front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple "Louie, Louie." David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample "Apache" to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference "the best thing that's ever happened to serious consideration of pop music."Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Popular music  |x History and criticism. 
650 7 |a MUSIC / History & Criticism.  |2 bisacsh 
700 1 |a Brackett, David,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Bruno, Franklin,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Carr, Daphne,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Chalfant, Henry,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Chang, Jeff,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Daniel, Drew,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Fink, Robert,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a George-Warren, Holly,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Greenlaw, Lavinia,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Hamilton, Marybeth,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Hamilton, Marybeth. 
700 1 |a King, Jason,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Kun, Josh,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Kun, Josh. 
700 1 |a Lhamon Jr., W. T. 
700 1 |a Lhamon Jr., W. T.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Marcus, Greil,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Matos, Michaelangelo,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Melendez, Benjamin,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Neal, Mark Anthony,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Sublette, Ned,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Sublette, Ned. 
700 1 |a Thomas, David,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Waksman, Steve,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Weisbard, Eric,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Weisbard, Eric,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Duke University Press Backlist eBook-Package 2000-2013  |z 9783110711837 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9780822390558  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780822390558  |z Texto completo 
912 |a 978-3-11-071183-7 Duke University Press Backlist eBook-Package 2000-2013  |c 2000  |d 2013 
912 |a EBA_DUK_ALL 
912 |a EBA_DUK_EALL 
912 |a EBA_DUK_SSHALL 
912 |a GBV-deGruyter-alles